Hotel Transylvania 2, Review: Vampa ire When you want to turn horror into comedy, what better ploy than to make them animated/CGI characters? Add 3D to that, and the spell is cast. Only problem is,...

Shaandaar, Review: Insomniacs, maniacs, megalomaniacs and necrophiliacs It’s a Shaandaar combination. Producers of this eagerly-awaited film include the Dharma banner owner Karan Johar (Kuch Kuch...

Rock the Kasbah, Review: Afghan star, American war                                                                             In all probability, the plot of Rock the Kasbah was worked out...

The Last Witch Hunter, Review: Witch one will Vin?                                                              Like the aliens in Men in Black, the witches here could pass off as persons next door....

A Bridge of Spies, Review: Spyelberg on spy-swapping--one of theirs for two of ours Old school film-making at its charming best is what Steven Spielberg delivers in this potential thriller, that is,...

Pyaar Ka Punchnama 2, Review: Sucker bunch and the sex carrots                                              Pyaar Ka Punchnama 2 has been described in some media reports as a not so true sequel to...

Pan, Review: Flying Pantasy Once you pick up a hundred year-old children’s story and decide to invent its unwritten prequel, 3D and CGI are obvious choices. Yes, you could go overboard on both...

Sicario, Review: One drug cartel is better than two Breath-taking aerial shots of the US-Mexico border area and amazingly choreographed encounter scenes are the highlight of Sicario, a drug cartel...

Talvar, Review: Whodunit? Doesn’t matter! Like the 1950 Japanese cult film Rashomon, directed by Akira Kurosawa and often rated as one of the greatest films ever made, remade n number of times in...

Singh is Bling, Review: Kickass, jackass and badass                                                                                       Singh is blink-ing. Maybe winking. After many head-banging,...