Paddington 2, review: Bear maximum Imagine a London where bears are accepted as persons and move about freely; a London where Aunt Lucy and her nephew Paddington board a bus and buy tickets for...

Downsizing, review: Mini We Once in a while, a movie comes along that renews our faith in creative writing and the ability of cinema to rise above its own decadence. Maybe it took a dozen ‘shrink’,...

MIFF 2018, II Mumbai International Film Festival (MIFF) for Documentary, Short and Animation Films, which begins on 28 January, 2018 in Mumbai, has released the list of films to be screened in four...

16th Third Eye Asian Film Festival: VIII Besides Marathi, Bengali language films saw fair representation at TEAFF. There were two Assamese films as well. Internationally, of course, we had a strong...

16th Third Eye Asian Film Festival: VII TEAFF was organised by the Asian Film Foundation and P.L. Deshpande Maharashtra Kala Academy, and co-organised by Prabhat Chitra Mandal and Akhil Bharatiya...

Insidious 4-The Last Key, review: Spectral Sightings by Psychic and her side-kicks Was a time when unfriendly ghosts used to have a motive for their haunting, and usually, it was revenge. Then,...

Pitch Perfect 3, review: Fat Amy’s tall father and DJ Khaled’s Bella a capella Wrapping-up the three-part series, the third instalment queers the pitch and is not perfect by a long mile. Some...

All the Money in the World, Review: Ear today, gone tomorrow Cinquanta to Gail: “Who is this so-called grandfather? How can he leave his own flesh and blood in the plight that your poor son is in?...

16th Third Eye Asian Film Festival: VI Three Marathi films are the focus of today’s post: Nati Khel, Nadi Vahate and Copy. They were shown as part of a package at that consisted of as many as eight...

16th Third Eye Asian Film Festival: V Open Forum, a festival tradition, was held at the 16th Third Eye Asian Film Festival too, on six of the eight days. It was thoughtfully scheduled between 2 and...