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Guest of FEST 2010 Sergey Lavrentiev, a film critic and the presenter of the Russian film “Ward #6” based on a famous Chekhov novel and directed by Karen Georgievici Sahnazarov, on a very last day of festival discussed with the press, program of this year’s FEST The International Film Festival in Belgrade . “The program is great, as always thanks to Mr. Vuckovic who is one of the most film educated people I have met, and is doing a great job over the years. This year, FEST has presen...
The day before the last day of festival, the International Film Festival FEST 2010 presented 3 different authors, German artist Ulrike Ottinger, Albanian film director Artan Minaroli and Serbian film crew of “Flashback” another small author Serbian film.
One of the most interesting guests of this press conference was definitely Ulrike Ottinger with her film “The Korean Wedding Chest”. Ulrike Ottinger is, beside being a film and theatre director, a ...
The 6th press conference of International Film Festival FEST 2010 went by quickly and hosted a distinguish member of the Festival Jury Macedonian Winterbottoms’ muse Labina Mitevska, that spoke about the regulations and criteria of the film jurist and about the importance of Art and European Film. No matter how hard is with film financing, the art house films will be shoot and it will be existing. The best films ever, are often shot with very little money, and even today they set the perfect...
The 6th press conference of The International Film Festival FEST 2010 presented the only English director of the festival Gareth Jones with his Film “Desire”, a low budget film nominated for Best UK Feature at the prestigious West End Raindance Festival 2009. The directional debut of Jones, according to Empire Online, “Cinematographer Alex Ryle makes intelligent use of encompassed space in acclaimed screenwriter Gareth Jones’ directional debut “Desire”. This is always more the work...
Guests of 5th press conference of FEST 2010 were Polish film director Xawery Zulawski and Jacek Samojlowicz the producer of film“ Snow White and Russian Red“ a charming little film based on a contemporary Polish novel, written by the 19 years old author Dorota Maslowska. The film receieved couple awards in Poland and was invited to be showed on Cannes Film Festival. „It is hard to describe Polish society after the fall of communism, .I have tried to stay faithful to a book and youn...
Director: Michael Pfeifenberger.
The camera's eye accompanies the successful Austrian author Josef Winkler and the audience in a poetic road movie, jumps in clips and reverse angles from the 'hallowed stable' in a Carinthian mountain village to the banks of the Ganges, and immediately afterwards to the foot of Popocatepetl, experiencing a volcanic eruption.
One of the anticipated titles having its International Premiere at the Berlinale today is HOWL, one of the hits of last month's Sundance Film Festival. More than 50 years after its initial publication, the tone poem HOWL is still a shocking bit of humanism, a cry for tolerance and a yell for individual self-expression. The poem's author, the beat poet Allen Ginsberg, remained a controversial figure his entire life. The impact of this envelope-pushing literary classic and the bohemian philosopher...
In what has to be one of the most bizarre red carpet scenarios in many a moon, the Berlinale is bracing for the buzz storm surrounding the world premiere of THE GHOST WRITER, the latest film from director Roman Polanski. And while the stars of the film, Ewan McGregor and Pierce Brosnan will officiously walk the red carpet at the Berlinale Palast this evening, the film's celebrated director remains under house arrest in his ski villa in Switzerland. Of course, this is not the first time that a fi...
The Williamsburg International Film Festival | WILLiFEST spotlights independent filmmakers from around the world. We encourage you to submit your work and join us in New York City for a professional, fun-filled festival of screenings, panels, networking opportunities and after-parties.
ABOUT THE FESTIVAL
The Williamsburg International Film Festival, voted top 20 coolest film festival by MovieMaker Magazine, is the film component of WILLiFEST. WILLiFEST was established to provide a platform for the creative visions of today's emerging artists of all disciplines. The film and music festivals are opportunities for artists to enhance their careers by exposing their films and music to a powerful audience, gaining crucial media exposure and strengthening industry relationships. In the LiVE it UP! Pavilion, Donna Drake, a nationally syndicated TV talk show host, interviews filmmakers and local celebrities. The Filmmakers' Lounge provides filmmakers a space to promote their films and network with each other in between their screenings.
In addition to red carpet premieres, the festival features several film competitions. A Screenplay competition rounds out the offerings. The closing night award ceremony will honor award winners in each category. At WILLiFEST, we pride ourselves on elevating the filmmaker's experience. This festival was created for the artist, by artists, and we look forward to taking you, your film or your screenplay to the next level.
The categories of entries we are accepting for the 2012 Williamsburg International Film Festival are as follows:
U.S. Narrative Feature Films
Any narrative work of fiction with a running time of at least 50
minutes. In order to qualify as a U.S. Narrative Feature Film, the
submitted project must be either scripted or improvisational fiction. No
premiere status is required. Films must have been completed after
January 2010.
U.S. Documentary Feature Films
Any non-fiction film with a running time of at least 50 minutes, NOT
including entirely scripted or improvised fictionalizations of actual
events. If your documentary contains limited dramatization of actual
events, you may submit in this category, but we will ultimately decide
which program is best suited for your project, if accepted. No premiere
status is required. Films must have been completed after January 2010.
International Narrative Feature Films
Any narrative work of fiction with a running time of at least 50
minutes. In order to qualify as an International Narrative Feature Film,
the submitted project must be either scripted or improvisational
fiction, and production must have occurred outside of the United States.
No premiere status is required. Films must have been completed after
January 2010.
International Documentary Feature Films
Any non-fiction film with a running time of at least 50 minutes, NOT
including entirely scripted or improvised fictionalizations of actual
events. If your documentary contains limited dramatization of actual
events, you may submit in this category, but we will ultimately decide
which program is best suited for your project, if accepted. In order to
qualify as an International Documentary Feature Film, the film must be
unscripted and production must have occurred outside of the United
States. No premiere status is required. Films must have been completed
after January 2010.
U.S. Short Films
Any narrative or documentary film of U.S. origin with a running time of
49 minutes or less. No premiere status is required. Films must have been
completed after January 2010.
International Short Films
Any narrative or documentary film of international origin with a running
time of 49 minutes or less. In order to qualify as an International
Short Film, production must have occurred outside of the United States.
No premiere status is required. Films must have been completed after
January 2010.
Animated Films
Any animated film in any style of animation from any country of origin
with a running time of any length. No premiere status is required. Films
must have been completed after January 2010.
Family Fare
Any live action or animation of any length from any country that
celebrates the whole family coming together to enjoy and share the
movie-going experience. Any subject matter considered. All films should
be appropriate for general audiences. No premiere status is required.
Films must have been completed after January 2010.
Student Films
Any U.S. or International narrative or documentary film of any length.
Proof of school enrollment is required. No premiere status is required.
Films must have been completed after January 2010.
Music Videos
Any film or video in sync to music from any country of origin with a
running time of less than 10 minutes. No premiere status is required.
Music Videos do not have a completion requirement.
Midnight Treats
A treat for true cinephiles and casual filmgoers alike, this
non-competition section presents an eclectic mix of horror, sci-fi,
over-the-top comedies, explicit animation and bizarre stories that defy
categorization. Midnight Treats have no premiere or completion
requirements.
Screenplays
Any feature-length, English-language, narrative screenplay of any genre. Scripts must have a minimum page
count of 60 pages and a maximum page count of 240, all pages numbered
and in standard industry format. Title page or email should include
author name(s), title, street address, phone number, email address and
WAB ID#. We only accept electronic submissions. Digital
formats accepted are Final Draft or Adobe PDF documents. After
completing the on-line application process and paying appropriate fee,
digital screenplay submissions should be emailed to screenplays@willifest.com
or uploaded to Withoutabox.com. Title page must include author name(s),
title, home address, phone number, email address and WAB #.
Awards are presented for all categories except Midnight Treats.
GENERAL RULES
Each submitted film must be accompanied by the appropriate fee. Please write the title of the film on all checks or money orders. Entries must be submitted on DVD (NTSC Region 0 or 1). International films can be submitted on NTSC or PAL Region 0 (Region-free) DVDs. Screeners should be straight-play DVDs with only your film and no menus. We accept works-in-progress. Screener DVD must be labeled with title, running time, entrant's name, category, phone number and WAB ID# on the disc face with permanent marker. Screeners should be viewed for playback quality before mailing in. Please DO NOT use paper labels.
Foreign language work must be subtitled in English (or dubbed where permitted). Only films completed after January 2010 will be accepted except for Music Videos and Midnight Treats which do not have a completion requirement. Student Films are projects completed by filmmakers when they were enrolled in school. Students must include a copy of school ID.
WILLiFEST is an HD projection festival utilizing file-based server technology. We do not project from videotape and request exhibition copies of films be submitted as a file or alternatively, a DVD or Bluray Disc. We also project 35mm film on a limited-basis and these situations will be discussed with filmmakers upon acceptance and decided by our
Programming Department.
For information on additional WILLiFEST news and events, visit us at www.willifest.com.
Best of Luck!
the WILLiFEST team
One of the anticipated titles having its International Premiere at the Berlinale today is HOWL, one of the hits of last month's Sundance Film Festival. More than 50 years after its initial publication, the tone poem HOWL is still a shocking bit of humanism, a cry for tolerance and a yell for individual self-expression. The poem's author, the beat poet Allen Ginsberg, remained a controversial figure his entire life. The impact of this envelope-pushing literary classic and the bohemian ph...
In what has to be one of the most bizarre red carpet scenarios in many a moon, the Berlinale is bracing for the buzz storm surrounding the world premiere of THE GHOST WRITER, the latest film from director Roman Polanski. And while the stars of the film, Ewan McGregor and Pierce Brosnan will officiously walk the red carpet at the Berlinale Palast this evening, the film's celebrated director remains under house arrest in his ski villa in Switzerland.
Of course, this is not t...
The 6th ZagrebDox from 28 February - 7 March on new location - in Movieplex, Kaptol Center / ZagrebDox in numbers: eight days, five theatres, 25 screenings daily, some 140 documentaries / In addition to 'Musical Globe', 'Happy Dox', 'Controversial Dox' and new official program - 'The State of Things' / 'Dox Events' - First-run Movies / Non-competition Programs: Contemporary German Dox, 'Croatian AutoDox', Ante Babaja Retrospective, Y(o)u Nostalgia, 'Factumentaries', documentaries of MA ADU stude...
Diagonale 2010 Opening Film
Diagonale 2010 will open with Robert A. Pejo's The Cameramurderer on the 16th March at the Helmut-List-Halle. This Austrian-Swiss-Hungarian co-production is an emotionally charged psychodrama based on the eponymous bestseller by the Styrian author Thomas Glavinic. The lead roles are played by: Merab Ninidze, Dorka Gryllus, Andreas Lust and Ursina Lardi.
A Tribute to Peter Schreiner in collaboration with Ö1
One of the high points of this year's festival is the t...
.............WELCOME TO OUR NEWSLETTER N° 450: January 27, 2010
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More than 50 years after its initial publication, the tone poem HOWL is still a shocking bit of humanism, a cry for tolerance and a yell for individual self-expression. The poem's author, the beat poet Allen Ginsberg, remained a controversial figure his entire life. The impact of this envelope-pushing literary classic and the bohemian philosopher who was its inspiration make for an appropriate opening night for this year's Sundance Film Festival, the mecca of independent and international cinema...
With more than sixty French film productions and co-productions included in the line-up, French cinema boasts a strong presence at the 39th International Film Festival Rotterdam (IFFR). Internationally acclaimed, recent French productions (feature films, short films, performances) will top the bill together with numerous début features, including two films competing for the VPRO Tiger Awards, by a talented and innovative young generation of filmmakers, confirming the IFFR’s role as a major pl...
by Marla Lewin
Sunday marked another milestone in this year’s awards season as The Producers Guild of America (PGA) announced their winners in television and motion picture productions at their 21st Annual PGA Awards ceremony held at the Hollywood Palladium.
The Winners are listed in Bold in each category:
Darryl F. Zanuck Producer of the Year Award in Theatrical Motion Pictures:
AVATAR
Producers: James Cameron, Jon Landau
DISTRICT 9
Produce...
More than 50 years after its initial publication, the tone poem HOWL is still a shocking bit of humanism, a cry for tolerance and a yell for individual self-expression. The poem's author, the beat poet Allen Ginsberg, remained a controversial figure his entire life.
The impact of this envelope-pushing literary classic and the bohemian philosopher who was its inspiration make for an appropriate opening night for this year's Sundance Film Festival, the mecca of independent a...
Thursday 4 February
Poulenc room (level -2) - Translation English / French
Stereoscopic imaging
Moderators: Mireille Frenette and Benoit Guerville, Wide Productions
10:30 - 12:00 Avatar
Avatar, currently being released on theater screens around the world, is already a technological achievement and a precursor of things to come in the world of filmmaking. In this light, imagina is proud to present an exceptional even...
Director: Howard Egger-Bovet/Michael Abela.
Director: Mustafa Unlu.
One Portrait, Two Countries, Three Lives: The Life Story of Author Osman Necmi Gürmen
Even starting from his familial roots, Turkish author Osman Necmi Gürmen lived caught between the two poles of East and West throughout every phase of his life.
From a childhood in the environment of the Ottoman palatial court to a youth in the ruins of post-War Paris which remains one of the primary centers of Western knowledge and lifestyle; the remarkable course of Osman Necmi Gürmen’s life then took him to the extremely arduous conditions of tribal life in a village in Eastern Anatolia, where he found himself drawn into the middle of a bloody struggle for power. His life was defined by an aristocracy caught between the East and the West, a Western bourgeoisie reborn from its own ashes, and a feudal lifestyle that remained unchanged for centuries despite the ideals of the young Republic. He was not an “outsider” in any of these environments; he attempted to fulfil the social requirements and became a proprietor of each. Osman Necmi Gürmen is a man of letters who writes novels in French in France; he was also a feudal lord who was at the heart of a tribal battle for power in Siverek; he was one of the handful of intellectuals who founded a haven in Bodrum for what was to become one of the most important retreats for the petit bourgeoisie of the Turkish Republic after the 1960’s; and he is also an author who writes in Turkish, drawing inspiration from his own life and the extreme moments of Turkish history.
Director: Václav Marhoul.
There is only a very thin line between heroism and cowardice. Courage is the will power, which no man has enough to spare. If used, it is soon exhausted. Courage is the capital, which we spend gradually. Thus, the last order may be the order to pay out the account drawing to zero. The deepest fear rises when a man is floundered by a current, all alone, having nothing to hold on and not being able to cope. This is the main topic and the artistic motto of this wartime psychological drama.
North Africa, II. WW, Fall 1941. Jiri Pospichal, twenty years old, signs up as a volunteer in the Czechoslovak army. His naive ideas about heroism are rawly confronted with the hell of the African desert, complicated relationships in his unit and the ubiquitous threat of death. All this takes its cruel toll in the shape of his gradual loss of self respect and courage.
He is full of self-confidence and patriotic ideals, yet at the same time is deeply frustrated by his father, whom he views as a collaborator. His closest companion is a Jewish soldier, Jan Lieberman, in many ways more mature. Their opposite, in turn, is Corporal Kohák, a former member of the French Foreign Legion, for whom warfare is above all a profession The psychological drama between these three characters, the differing attitudes and personalities of each of them, are, during the course of the story and most clearly in its dramatic climax, brought into confrontation with a clear and harsh test of the moral character of all.
The plot of the film is freely based on the classic American novel “The Red Badge of Courage” by Stephen Crane, first published in New York in 1897.
Welcome to the SXSW January Update featuring timely tips about our 2010 Music, Film & Interactive events.
First Headliner Announced The one-and-only Cheap Trick will perform at the SXSW Music Festival. Since the '70s the band has been blending elements of pop, punk and even metal in a way that is catchy and instantly recognizable. More
SXSW Welco...
December 2009 - May 2010
With the centennial of director Akira Kurosawa’s birth coming up, 2010 will certainly be the year of sword fighting films (chambara)! While Kurosawa will always remain the "Emperor", two actors dominated postwar Japanese genre cinema: Daiei Studios’ cult stars Shintaro Katsu (1931-1997) and Raizo Ichikawa (1931-1969).
Two actors, two styles, apparently poles apart yet actually complementary: earthy Katsu was the affable anti-idol rogue, unpredictable on- and off-screen, while ethereal, coolly enigmatic Ichikawa was considered the “James Dean of Japan”. Beyond their differences, both stars instilled in their roles a poisonous poetry and existential angst that lifted their art into genre-transcending territory. Curated by Chris D., genre film expert and author of Outlaw Masters of Japanese Film.
Two of the most versatile, underrated and comparatively unknown movie performers post-WWII were not from America or Europe, but from Japan. Shintaro Katsu and Raizo Ichikawa defined their generation as surely as actors like Robert Mitchum, Montgomery Clift, James Dean and Clint Eastwood defined theirs. And like Mitchum and Eastwood they were equally at home in rugged action roles as in heavy drama and light comedy. Katsu’s blind swordman Zatoichi and Ichikawa’s misanthropic halfbreed samurai Kyoshiro Nemuri stand out as unforgettable, iconic characters on the panoramic screen of 20th century world cinema. – Chris D.
Join us for this retrospective honoring two Japanese film legends.
Digital Media Wire today unveiled its 2010 "25 Executives to Watch in Digital Entertainment" list, recognizing emerging leaders in the digital media and entertainment industry.
The honorees will be profiled online at http://www.digitalmediainsider.com/ and will be recognized in a special January feature on the DMWmedia.com website. Digital Media Wire will honor the group at an exclusive reception for industry leaders, members of the press and special guests at the 3rd Annual Dig...
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