Mortal Engines, Review: Municipal Darwinism in a dystopian future Charles Darwin’s theory of survival of the fittest is taken to its logical conclusion in the future, where mini cities stand on...

Spiderman, Into the Spider-verse: Spiderman is dead; long live Spidermen “I love you” yells PDNY cop Jefferson Davis, to his son Miles, as he drops him off to school. After a few seconds, he insists...

IFFI 2018, VIII: Ratings At the 49th IFFI, Goa, November 20-28, 2018, I caught 29 films: 28 features and one short. Not bad, considering one can watch up to 40 films in theory. If some press...

IFFI 2018, VII: What it was and what it could have been In its 49th edition, the International Film Festival of India (IFFI) was a damp squib. It could have been a glorious run-up to the 50th...

IFFI 2018, VI: Meet Canadian cinematographer Pierre Gill “I hope I get to work in India soon as I am amazed by some technically complex movies from India,” said Cinematographer Pierre Gill at a...

IFFI 2018, V: Promoting Jharkhand as a film-making destination The 24th of November was a day dedicated to Jharkhand at the 49th International Film Festival of India (IFFI). The scenic state,...

IFFI 2018, IV: To the Desert The inspiration for ‘To the Desert’ came from a true news story I had read, about kidnapping in Patagonia. The film uses real-life settings of abandoned houses,...

IFFI 2018, III: India’s Film Facilitation Office portal launched India, a land of stories and a melting pot of emotions, narrates itself through breathtaking landscapes. It expresses itself via...

IFFI 2018, II: The Aspern Papers was the Opening Film The Aspern Papers was the opening film of IFFI 2018, the 49th International Film Festival of India, Panaji, Goa, November 20-28, also marking...