Agnès Varda: Diminutive doyenne of the French New Wave dead at 90 She would have turned 91 in two months, but breast cancer claimed her last week. The end came at her Paris home. Till the end, she...

Fighting with My Family, Review: Soap opera in spandex Somebody must tell biopic makers, especially true stories about sports personalities, that there is very little difference between one and the...

Gully Boy Ranveer Singh launches music label, calls it IncInk You could not tell anything from the invitation, except that it was sent by YashRaj Films and had something to do with IncInk. The...

Super Deluxe, Review: Super? Yes. Deluxe? No. Four plots radiate through concentric circles and are destined to coalesce one eventful day. Initially, it might trigger memories of Shawshank...

National Museum of Indian Cinema: Preserving a rich heritage Director General, Films Division (FD), Prashant Pathrabe, (above, left) addressed a press briefing on 19th March, at the FD Complex,...

Junglee, Review: Don’t hunt the elephant Every 15 minutes, one elephant is filled for its tusk. In Junglee, a prize pachyderm who inhabits a sanctuary, with tusks so long that they intersect at the...

Dumbo, Review: Have ears, will fly When they first thought of a new Dumbo, perhaps the best decision Disney and Burton made was to remake their 1941 animation film in live action, adding 3D for the...

The Least of These, Review: More was needed In India’s turbulent political climate, making a true-story movie on the life and work of a Christian Missionary who was accused of forced conversions and...

Gone Kesh, Review: The bald is the beautiful An English-Hindi composite pun constitutes the title, playing upon ‘gone case’, which term is used to describe someone who is so far ‘gone’ into...

Us, Review: Shadow boxing Us takes its own time in building up a premise and gives no indication that it is going to turn-out as a horror film, with macabre goings on and blood-baths included. To...