ConnecTechAsia 2019, 04: EditShare to Showcase Lineup of Media Workflow Solutions EditShare, a technology leader in intelligent scale-out storage, media asset management (MAM) and automated quality...

X Men-Dark Phoenix, Review: X-Men, ex X-Men and X-Women Every fan knows that the X in X-Men is for Xavier, the teacher-trainer who runs a school for the differently abled (gifted with a power or...

ConnecTechAsia, 03: Eutelsat, KT Sat, NAGRA and Teledyne at ConnecTechASia, Singapore, June 18-20 Eutelsat CIRRUS is the reliable, high quality and cost-effective answer to get your content into...

ConnecTechAsia 2019, 01: Singapore to host ConnecTechAsia during June 18-20 Bringing together BroadcastAsia, CommunicAsia and NXTAsia across two centrally located venues, the iconic Marina Bay Sands...

Anahita’s Law, Review: Parsee patriarchy, woes of women and law of the land Discrimination against women, and children of mixed religion marriages, are not phenomena that stare us in the face, like...

Rocketman, Review: Messed-up multi-millionaire music-maestro Film-makers now need to ask themselves whether it makes good sense to churn out bio-pics with regular frequency. Does the genre hold...

Naughty Gang, Review: Gang apes We keep hearing at every seminar or conference that with the advances in technology, anybody, just anybody, can make a film. In various Indian film schools too,...

Nakkash/The Craftsman, Review: Balancing Dharma with Karma Carving is a fine art that is dying, like many other man-made enterprises, what with mechanisation and changing tastes. One can see many...

Ahaa Re (The Two Lovers/Oh, Look at You), Review: Castle of love on bedrock of food When you want to make a film about love, lost and found, romance, sublime and selfless, it is a good idea not to...

Life in Metaphors-Portraits of Girish Kasaravalli, by O.P. Srivastava: Well framed! A banker with a passion of cinema, Om Prakash Srivastava hung up his ATM to pursue his dream. In 2012, he attended...