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Siraj Syed's Blogs
Dream Girl, Review: Lady Boy’s multiple nightmares Can one accuse film-makers of misleading audiences by describing their films as anything but what they really are? Dream Girl, dubbed ‘family...
Badshaah Pahelwan, Review: There’s a brown wrestler in the boxing ring, tra la la la la When director of photography S. Krishna turned producer just over two years ago, vicariously, through his...
Chhichhore, Review: Posers for losers, choosers and imposers Few ideas would be more contradictory than a parent’s attempt to revive his dying son by calling his college mates to the Intensive Care...
Saaho, Review: Posture Boys Grand emptiness fills the screen as the Saaho saga unfolds. There is a semblance of a plot and a picture post-card collage of both serene and breath-taking visuals....
This underwater horror-survival movie takes its cameras and main cast down 47 meters (going by the title) and discovers a Mayan labyrinth of caves and cages. When one cage is broken open, out come...
A maker with a penchant for addressing social and sociological malaises tries his hand at the intra-nation village/small town to big city trans-migration issue in India, as seen through three...
Angry Birds Movie 2, Review: And angry birdwatchers 2 To even begin getting lightly entertained, you will have to sit through the first twenty minutes of Angry Birds Movie 2, which are a cacophonic...
Angel Has Fallen, Review: Dad’s Bad, Banning’s Mad, Jennings’s Glad Angel here is the guardian angel of the President of the United States of America, and fallen refers to his being critically...
Crawl, Review: Alligator…will it get her? If you were to consider making a film about a creature that has equally or more lethal Jaws than sharks, you would have little problem coming up with the...
Yomeddine, Review: Disability or this ability? Unlikely companions embark on an impossible journey, to trace their roots, hundreds of miles away, on a donkey cart, with little money and barest of...