Bala, Review: Haireditory and dark humour Two films in rapid succession about hair loss are about as rare as a new lock of hair sprouting on a bald pate. Whereas Ujda Chaman had the relatively...

Midway, Review: Exactly When you make a war movie, based on facts, you might be motivated to give a slightly balanced view of events, for every country that goes to war has its reasons and its...

Prithvi Festival 2019, Review—Ek Natak Aisa Bhi: Beggars can be choosers Begging is an art, as has been repeatedly proven by reports of fortunes being discovered after the death of certain beggars...

Prithvi Festival 2019: Untitled 1, Review--Poison, its forms, uses and doses As a Big Brother is Watching state, the concept was explored by George Orwell in 1948. He called it ‘1984’, by merely...

by Siraj Syed Curiosity about the film has been rather high, considering it won the Best Feature Film at the National Film Awards, being the first Gujarati language film ever to bag the honour, with...

Last Christmas, Review: Rom-com gone tragi-com A film that is titled Last Christmas could work its title two ways, either as the last Christmas of someone who is not going to see another one, or as...

Prithvi Festival: Piyush Mishra’s Gagan Damama Bajyo, rivetting study of the life and times of Bhagat Singh, sets the tone Besides Mohandas Karamchand ‘Mahatma’ Gandhi, two other freedom fighters...

IFFI 50, XII: Rajinikanth to be Icon of Golden Jubilee Union (Central Government) Information & Broadcasting Minister, Prakash Javadekar, announced on November 02 that, “In recognition of his...

IFFI 50, XI: Kashmiri film Nooreh to open non-feature Indian Panorama The 50th International Film Festival of India, 2019 will witness over 200 best films  from 76 countries, 26 feature films and 15...