That Sunday, Review: Rape is feign A piece of jazz lets you in on the scene wherein the actor is watching cartoons, with a remote control in his hand and nodding his head. He is a middle-aged man,...

Lunch With My Friend’s Wife, Review: Not with his friend’s wife That is a dilemma and a conundrum. Firstly, the lunch takes just a few seconds of the 15 minute 13 second film. Secondly, it is not...

Aashram Grih-Pravesh, Overview: Lacks originality, packs technicality Aashram is a nine-episode web series currently streaming on MX player, released on 28th August, and available for watching free....

With its lead players putting up pretences throughout the film, it is easy to label the film pretentious. To be fair, it is not pretentious. There is an element of sincerity in the making. My...

Widow of Silence, Review: Half-lives, half-wives Since it is based on many true stories, it is easy to consider Widow of Silence as an amalgamated biopic. Though the central character and her plight...

Aneek Chaudhuri’s Malayalam film Katti Nrittam in Marche du film, Cannes 2020 Katti Nrittam is a modern-day adaptation of Mahabharata, where a major part of the shooting took place in Kolkata. In...

With all our heart to the events that have been forced to cancel or go entirely online, we are in solidarity with their forced decisions and salute their work and their formidable...

Nina Mehta’s 6th Death Anniversary (12th April 1942-26th April 2014) They were the earliest ghazal-singing couple I knew, Nina and Rajendra Mehta. Ladies come first, was the rule back in the late...

Robibaar, Review: Sad, sombre, somnolent, sepulchral Sunday It is a Sunday. Not an ordinary Sunday, an eventful Sunday. For the female protagonist, it begins like any ordinary Sunday, a deceptively...