Angrezi Medium, Review: Crazy Tedium Three years ago, Maddock Films gave us a slice-of-life entertainer called Hindi Medium. ‘Medium’ here referred to the language, the medium of instruction in...

18th Third Eye Asian Film Festival, III Iran bagged two of the four prizes in the best short fiction films category at the 18th Third Eye Asian Film Festival (TEAFF), including the most coveted...

18th Third Eye Asian Film Festival, II Six films were short-listed for the Best Asian Woman Film-maker Award at the 18th Third Eye Asian Film Festival (TEAFF): An Unfairy Tale/Maadathi, 2019, Tamil,...

18th Third Eye Asian Film Festival, I Organised by the Asian Film Foundation and P.L. Deshpande Maharashtra Kala Academy, the 18th Third Eye Asian Film Festival (TEAFF) has just concluded. Held...

Baaghi 3, Review: Rebel without a pause Meaning ‘rebel’ in Urdu, Baaghi 3 showcases the muscular machismo, kicking quotient and airborne acrobatics of the loose cannon called Tiger Shroff. He first...

19th Annual Transmedia Gujarati Screen & Stage Awards Started in 2002, the Annual Transmedia Gujarati Screen (film and television) & Stage Awards held its 19th edition on 29th February 2020 at the V...

Onward, Review: Upward, downward, northward, southward, eastward, westward, and afterward A potpourri of various elements found across several genres, animation giants Disney and Pixar’s Onward is...

Har Kisse Ke Hisse Kaamyaab, Review: Many parts, many holes, no whole, no soul In one scene of Har Kisse Ke Hisse Kaamyaab, the protagonist, an actor who goes under the screen name of Sudheer,...

Guns of Banaras, Review: Where are the bullets? When Nathalia Kaur, who was born Nathalia Pinheiro Felipe Martins, in Brazil, appears in the credit titles as the lead actress in probably her first...

Thappad, Review: This slap is going to cost you dear A simple, significant, timely and relevant story line might be too thin to stretch into a full-length movie. Having settled for such a plot, the...