IFFI 52, 06: Campion’s The Power of the Dog to be mid-fest film New Zealander Jane Campion, who has won international recognition with such well-crafted films like Sweetie, An Angel at My Table and...

IFFI 52, 05: Lifetime Achievement Award for Szabó, Scorsese; Saura’s The King of all the World, opening film Legendary Hungarian film-maker István Szabó and veteran Hollywood figure Martin Scorsese...

Ripples, Review: Subtly, gently Ripples is a film about Muslim women of Xinjiang, who now live in Yiwu, and how they miss their homeland. While China is universally acknowledged as a military and...

India’s Ministry of Tourism holds Seminar on Film Tourism India's Ministry of Tourism in association with Ministry of Information & Broadcasting organised a Symposium on Film Tourism at Taj Land’s...

IFFI 52, 04: List of all 24 Indian Panorama films and 20 Documentaries announced Semkhor, the first ever film to be made in the Dimasa language of North-East India, will be the inaugural feature...

IFFI 52, 03: Call for entries in the special Goan section The Entertainment Society of Goa (ESG), which co-organises IFFI Goa, has announced a special Goan section Konkani/Marathi feature and...

Splendid Land, Review: Xinjiang is a many splendoured place The China-Greece co-production documentary, Splendid Land, directed by Eleni Vlassi and Jin Huaqing, presents the wonderful land of...

MAMI 22, 02: Entries invited Mumbai Academy of Moving Image is holding its 22nd Mumbai Film Festival during March 11-15, 2022. Entries are now open. You can submit your film in the following...

Dilli Kaand, Review: Those that rape and those that gape When a film is delayed six years in its release, its fate is more or less sealed. Dilli Kaand was launched in August 2015 and sees the light...