Whiplash, Review: ‘Cymbalic decapitation’ On the heels of Birdman comes Whiplash, another, much bigger ode to jazz drumming. Confined to four lead actors—a student, his teacher, his father and his...

Badlapur—Don’t Miss the Beginning, Review: Some things are missing Funny line for a name. It is okay as a tag-line, but to make it part of the name? Did somebody object to the title Badlapur, and...

Wild, Review: On your hike to happiness, leave everything behind Personal to the point of being alien, Wild is a well-intentioned film that picks incidents from a true story, brings the occasional...

Love, Rosie-Review: Love, for Rosie, is not rosy When a film is full of tender and emotional moments but peppers itself with half-a-dozen comic interludes, it ends up confusing your sentiments. You...

Roy, Review: ROYters’ block, alias ‘balle t balle t’ Papa Anupam Kher thinks it is something to do with a woman. Son Arjun Rampal calls it writers’ block. Both are right. Grewal Senior was referring...

  Jupiter Ascending, Review: ..and the Earth goes to... Delayed for over seven months beyond its scheduled release, the Wachowskis’ Jupiter Ascending released this week in India and many other...

   The Boy Next Door, Review: Lo ranking Shortly after her divorce from a philandering husband, a woman (school teacher) gets seduced by a mysterious younger man, ostensibly to look after his...

  Wild Card, Review: Raw Deal Based on the novel Heat, by William Goldman (now 84, Butch Cassidy and the Sundance Kid, All the President’s Men, Marathon Man, Dreamcatcher), who also wrote the...

  Jaideep Sahni’s Master Class at Film Writers’ Association, Mumbai: 15 years in 150 minutes Bumping into Rajashree, urf (alias) Raju (that is how she likes to be known), a Film and Television...