Siraj Syed

Siraj Syed

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Siraj Syed is the India Correspondent for FilmFestivals.com and a member of FIPRESCI, the International Federation of Film Critics. He is a Film Festival Correspondent since 1976, Film-critic since 1969 and a Feature-writer since 1970. He is also an acting and dialogue coach. 

 
(sirajsyed2010@gmail.com)

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Siraj Syed's Blogs


Mission: Impossible-Rogue Nation, Review: Bond-Bourne amalgamation

Mission: Impossible-Rogue Nation, Review: Bond-Bourne amalgamation You couldn’t escape noticing that the Mumbai press preview of Mission: Impossible-Rogue Nation was being held at the renovated Fun...


Drishyam, Review: Missing Corpse, Hissing Cops and Habeas Corpus

Drishyam, Review: Missing Corpse, Hissing Cops and Habeas Corpus What would drive producers to make and remake a film in five different Indian languages in a span of two years? Box-office success of...


Southpaw, Review: Loses on points

Southpaw, Review: Loses on points South is to left what north is to right, and paw stands for hand, in boxing parlance. So, a ‘southpaw’ is a boxer who takes a right side on stance, but leverages...


Ant-Man, Review: Up the ANTe

Ant-Man, Review: Up the ANTe When a comic-book super-hero film engages you on two fronts, exhilarating effects and hearty humour, the audience is in for a good time. It is debatable whether going...


Mr. Holmes-The Man beyond the Myth, Review: And you thought you knew your Sherlock!

Mr. Holmes-The Man beyond the Myth, Review: And you thought you knew your Sherlock! Mr. Holmes presents a 93 year-old Sherlock without his coat and pipe, after Dr. Watson and his house-keeper Mrs....


Masaan (a.k.a. Fly Away Solo), Review: Burning bodies, tormented souls and a minor classic

Masaan (a.k.a. Fly Away Solo), Review: Burning bodies, tormented souls Set in a city known as the holiest cremation ground in India, Masaan is made with fired-up creativity, and has won encomiums it...


Indian film-writer, lyricist, Akhtar Romani no more

Indian film-writer, lyricist, Akhtar Romani no more A rare film-writer and lyricist from the Dawoodi Bohra community, Akhtar Romani (nom de plume) passed away today in Mumbai, his home for almost...


The Gallows, Review: Loose noose

The Gallows, Review: Loose noose All that The Gallows can claim as interesting is the premise. After that, it is pretty much like the death by hanging scene, with the film’s trap-door flipping open,...


Amy, Review: Alcohol, Drugs, Sex and all that JAZZ

Amy, Review: Alcohol, Drugs, Sex and all that JAZZ (a.k.a. Amy: The Girl Behind The Name) If you are a film-maker looking for a subject, a feature-length documentary on a recently deceased...


Bezubaan Ishq, Review: Very little to say

Bezubaan Ishq, Review: Very little to say This silent, tongue-less (literal translation of the word Bezubaan; ishq means love) tale revolves around three middle-aged friends and their families....