Solo: A Star Wars Story, Review: Buccaneer, Chewbacca, the survival axiom and the deadly coaxium A long time ago (41 years) in a cinema hall far, far away from my home, I saw the first Star Wars...

Book Club, Review: Life begins at sexty With a combined age of 563 and an average age of 70.4, there’s no way these eight fuddy-duddies are going to do a Fifty Shades of Grey. Well, they did set out...

High Jack, Review: Hitting a new low Several theories come up when you try and analyse what went wrong with a potentially high scoring black comedy. Firstly, it seems to be incomplete, with large...

Angrezi Mein Kehte Hain, Review: Show me that you love me Delhi-born director Harish Vyas makes his Hindi film debut with an adult love story set in Varanasi where the only thing adult about the...

Khajoor Pe Atke, Review: Free fall and die hard Ventilator, a Marathi film produced by Hindi actress Priyanka Chopra, became the toast of Maharashtra in late 2016. The story of a family, whose...

Deadpool 2, Review: Wade a minute Biding his time as a terminal cancer patient, Wade Wilson trades his soul to Ajax in exchange for dear life, and as a man who came back from the dead, he becomes...

Hope Aur Hum, Review: Hoping against hope Small-budget indies with clean, wholesome, slice of life content, surface regularly, taking you through bittersweet emotions, sans villains and...

Raazi, Review: Lying and spying, willing and killing As spy thrillers go, Raazi is, at best, average fare. During the first half, it runs the risk of becoming a pedestrian assemblage of trope...

The Past, Review: And this too shall pass Tropes and stereo-tropes, by themselves, do not a horror film make. Yes, the appearing and disappearing humanoids, the moving and rising objects, the...

Monster Hunt 2, Review: Monstrous, preposterous, Wubastrous Three years ago, a HongKong-Chinese dubbed animation firm in 3D captured the imagination of audiences worldwide. In a mythical land where...