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Laura Blum's Blogs
“Everyone knows about his pajamas, his lifestyle, his art, his movies, but not many people know about his sensitivity and vulnerability,” Italian director Pappi Corsicato recently told me. As you may...
“Nazareth! Can anything good come from there?” wondered Christ disciple Nathaneal in the Gospel of John. Reframing that question in the context of present-day Israel, Nazarene writer-director-star...
“Who is the Shadowman?” asked 80s headlines about the black, phantom-like figures haunting the New York landscape. Now along comes an impressive answer in the documentary Shadowman, about their...
Menashe, the title of Joshua Weinstein’s fiction feature debut, could just as easily been called Schlimazel. Set amid the Hasidic quarter of Borough Park, Brooklyn, it follows the eponymous character...
“Nobody thinks of people with intellectual disabilities as being sexual creatures,” says Len Collin, “but they clearly are.” Collin is the director of Sanctuary, an Irish comedy about a group of...
Paris is burning. It’s been set ablaze by a dozen disaffected millennials in Bertrand Bonello’s new film Nocturama. As the City of Light succumbs to dark acts, we’re left to wonder: Who are...
Textured, bittersweet and laced with irony, John Lee Hancock’s unvarnished chronicle of the Ray Kroc legend is hardly a hagiography. But its very ambivalence about the McDonald’s brand builder...
In Manifesto, Julian Rosefelt's multi-screen video installation, Cate Blanchett plays 13 roles. Following its run at the Park Avenue Armory, that installation itself took on a new role: a...
As a young boy coming up in rural India, Saroo Brierley often helped his big brother Guddu scavenge for food and money on trains. One evening in 1986 the brothers got separated. Five-year-old...
More than most films, the costumes in Toni Erdmann tell the story. Director Maren Ade’s new tragicomedy of manners makes its points as much through what its characters are and aren’t wearing as...