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Laura Blum's Blogs
There’s a moment in Seasons when a bear covers its eyes in distress as two ursine cousins go at one another with a vengeance. It’s one of many heart tugging scenes in Jacques Perrin and Jacques...
Harlem artist Marivel Mejia was making a painting, but she wasn’t using a brush. Nor were any of the other creatives gathered this past Saturday at Manhattan’s Bond Street branch of Blick Art...
Jim Jarmusch’s Paterson is set in the eponymous New Jersey town, and although its brick mill vibe seems an anachronism in our time-lapse, media blitzed world, it invites us to enter a time warp and...
“It was just a subconscious vibe: We’re going to get along and we’re going to augment each other,” recalled cinematographer Sean Porter of his first Skype chat with director Mike Mills. “Its kind of...
It’s August 1715, and the French monarch Louis XIV is perched upon his wheelchair, not his throne. The sun has yet to rise over the Gardens of Versailles, yet the crepuscular mood isn’t about the...
There’s nothing pretty about heartbreak and guilt or abandonment and loss. But Spanish auteur Pedro Almodóvar has a knack for gussying up even the darkest themes, and Julieta brings his latest...
Production Designer Hannah Beachler Beams on “Moonlight” • Mar 27, 2017 at 08:59 PM
by Laura BlumUsing large Polaroid film can get pricey. That’s why photographer Elsa Dorfman always made a point of snapping two photos of her sitters with her large-format Polaroid 20-inch-by-24-inch camera. They...
It’s taken James Schamus nearly three decades to tackle directing — and he had to charm Philip Roth in the process. That’s because he chose to adapt the author’s novel Indignation for his feature...
Take a chimpanzee. Think about what she thinks about. Does she understand that she has a mind? Can she grasp that other individuals have a mind? Does she have a concept of time? If so — as scientific...