Azamgarh, Review: Saving the honour of a city, and a religion Quite often, the religious minority of Indian Muslims is targetted for producing and harbouring young men who join terrorist groups,...

Vikram Vedha, Review: Gang gang, bang bang There are only a handful of characters in Vikram Vedha who do not wield guns, swords or any ‘weapon’ they can lay their hands on. Almost all of them die....

After Govinda, Varun Dhawan now launches another Dehati Disco song Ganesh Acharya and Varun Dhawan share a great camaraderie and the duo have always given good hits. In fact, Acharya, who is...

Bachchan Paandey, Review: Gangsters are best played by real-life gangsters Why would you choose a name like Bachchan Pandey, unless you thought you could cash-in on the franchises called Amitabh...

Pyar Mein Thoda Twist, Review: A sack-full of emptiness A lot of action in the film Pyar Mein Thoda Twist takes place inside a bound sack. It is marked, Lena Hae Lena Hae (have to take, have to...

Guns of Banaras, Review: Where are the bullets? When Nathalia Kaur, who was born Nathalia Pinheiro Felipe Martins, in Brazil, appears in the credit titles as the lead actress in probably her first...

The Spy Who Dumped Me, Review: Jumped, Pumped, Slumped, Stumped Pre-credit scenes à la James Bond, the JB theme variation in a couple of scenes and a title that is a clear Ian Fleming lift—remember...

Toilet—Ek Prem Katha, Review by Siraj Syed: Loo and behold! There is no point getting revolted by the title. Any fear that the film might have ‘dirty’ scenes can be laid to rest by the realisation...

Siraj Syed reviews Anaarkali of Arrah: Item girl--“Spite ’em girl, Bite ’em girl” Ten minutes into this loud and raw film, you know you will root for the protagonist, an item girl plying her art in...