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Martin Scorsese Masterclass in Cannes

 

 

 

japan

Bollywood Musical Comedy Movie

"Miya Anari Ba Biwi Khilari Ba" is a upcoming Bhojpuri Bollywood-style Canadian-Indian musical comedy film written, directed and produced by Babukishan Das (interview) starring Birbal, Yogini, Varsha, Chhatu Master, Yunus Parvez and many more. The film featurs songs performed by renowned Bollywood singers Sapna Awasti, Vinod Rathod, Chandana Dixit, Anuradha Paudwal and Anwar. Filmed in India with great

All-out zombie epic at Terracotta Far East Film Festival

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Terracotta Far East Film Festival showing a crazy Japanese Zombie film at the Prince Charles Cinema as a one-off on Friday 6th May at 22.50, which is part of our 3rd edition of Terracotta Festival,  HELLDRIVER  (HELL DRIVER, Nihon Bundan: Heru Doraibaa, 2010) is the latest movie from cult-favourite splatter film director Yoshihiro Nishimura with Eihi Shiina (Miike’s Audition) Hoping that you could help us spread the word among zombie and horror film-goers through your website or newsletter,...

Helldriver

Karate Girl

Guam Int'l. Film Festival - CALL FOR ENTRIES

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 Hafa Adai and Welcome filmmakers!The Guam International Film Festival (GIFF) is looking for exciting new films to present in our inaugural festival to take place this year. Below you will find the link to the rules and regulations for the requirements to submit to this year’s event. We look forward to having your film be a part of this momentous and groundbreaking celebration.All filmmakers – student, amateur and professionals – are encouraged to submit to GIFF. For submission deadlines ...

Meet the directors for Masterclass at Terracotta Festival Sat 7th and Sunday 8th May 2011

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Open to Terracotta Festival ticket holders/ festival pass holders only.Free, registration required. Terracotta Far East Film Festival invites film-makers, film-students and any Asian film goers to attend our Masterclasses with guest directors.   Masterclass with Sam Voutas RED LIGHT REVOLUTION director: "Turn On the Red Light: Marketing Your Concept" - Saturday 7th May 11am -11.50am Join director Sam Voutas in a Masterclass on how he turned his film concept to a reality. The...

US Film Companies Raise Money For Japan

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  While Hollywood films are the last thing on the minds of the Japanese people as they confront the most challenging period in their modern history since the end of World War II, the effect and response from the US entertainment industry has been swift. Japan represents a huge chunk of the international dollars made mainly by Hollywood films and animation projects. As much as 20% of international revenues for Disney comes from the island nation, and the major studios all have large pres...

REHENES / HOSTAGES

Director: BRUNO ORTIZ LEON.
"HOSTAGES" IS THE HISTORY OF THE DIRECTOR OF THEATRE WHO MEETS INVOLVED IN THE EVENTS OF THE CAPTURE AND RESCUE OF THE RESIDENCE OF THE AMBASSADOR OF JAPAN IN PERU, A POLITICAL LOBBIE DURING THE GOVERNMENT OF ALBERTO FUJIMORI (1996 - ' 97). At the cost of THE LIFE GIVE 72 HOSTAGES IN A COMPASS OF WAIT GIVE 122 DAYS. SINOPSIS: Breve sinopsis de la película Rehenes (Toma de la residencia del embajador japones, Lima-Perú 1996-´97, durante el gobierno de Alberto Fujimori). Una de las embajadas más protegidas del cuerpo diplomático de Lima Perú durante el gobierno de Alberto Fujimori, es tomada por un grupo subversivo al que se había dado por extinguido. Situación gravísima para el país, que indudablemente el poder ejecutivo no dejaría pasar sin beneficiarse políticamente. Resulta asombroso que después de tantos años de violencia terrorista en el Perú, no existiera un dispositivo de estado que hubiera permitido reaccionar rápida y ordenadamente a las fuerzas de seguridad del país. Por ello Rehenes llevado a la pantalla grande por una reciente cinematografía peruana contrasta quizá con éste, uno de los sucesos mas trascendentes de las últimas décadas que se haya dado en nuestra convulsionada Latinoamérica. Un traumático compás de espera de 122 días, para socavar el subsuelo y penetrar a la residencia del embajador nipón se convierte en pretexto para que el gobierno central se auto confiera facultades extraordinarias. Una incursión perpetrada por el Movimiento Revolucionario Tupac Amaru MRTA, previa a las fiestas navideñas de 1996 el operativo de rescate a los rehenes encabezado por un servicio de inteligencia poco transparente a los 122 días de cautiverio son recreados por la ficción cinematográfica de Rehenes donde Mario miranda un joven audaz y transgresor periodista, intenta varias veces tener tribuna en distintos medios de comunicación sin éxito alguno, debido a que todo el país estaba parametrado. Nuestro Protagonista Mario Miranda quien también es director de teatro, prepara una obra sobre la toma de la embajada, pretendiendo revelar algo que va a remover el escenario social de su momento; los entretelones de un lobbie político a costa de la vida de 72 secuestrados, así como la transacción con la dictadura y la corrupción gubernamental por parte de varios de los subversivos del movimiento revolucionario. Mario aunque tiene sueños y pesadillas recurrentes, donde ve cadáveres, balaceras y fosas siente sin embargo que aún le falta un ingrediente para que su historia camine. Por otro lado, aparece lucía una joven y guapa actriz quien se une al elenco teatral para interpretar el papel de la camarada lucero impregnándole a sus actuaciones un fervor revolucionario que va mas allá del libreto teatral. Mario aclara que la obra no es un panfleto en favor de los subversivos. Todo ello ocurre en esta nuestra Lima: una franja gris de víctimas y agresores, que colisionarán en 90 minutos de ficción. ¡Ahh! pero lo que Mario no imagina es que a partir de este momento su vida va a verse seriamente amenazada. Bruno Ortiz León

Call for Entries, Short Shorts Film Festival, Tokyo

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Greeting from Tokyo!!! One of the biggest short films in Asia, an Academy accredited short film festival, Short Short Film Festival & Asia 2011 is now accepting the entries from all over the world!!   The regulation is as follows: - up to 25 minutes including the credit - Produeced after January 2009 - Japan Premiere ONLY - Deadline: December 1, 2010 (but of course you DO NOT need to wait!!)    If you would like to submit us, please ...

The Japan Society Film

Japan Society is the leading U.S. organization committed to deepening mutual understanding between the United States and Japan in a global context. Now in its second century, the Society serves audiences across the United States and abroad through innovative programs in arts and culture, public policy, business, language and education. 

*Raindance Preview Review* Autumn Adagio [2009] dir Tsuki Inoue

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"Autumn Adagio" is Tsuki Inoue's first feature, made with the money she won for the Grand Prize in Yubari the previous with "The Woman Who is Beating the Earth" (more on this film later).      It tells the story of a repressed 40-year old nun, who through three encounters with different men, reflects on her femininity and her life. She meets a tedious middle aged man who cannot stop bothering her, a ballet dancer who advises her to play...

*Raindance Preview Review* Hi! Otsuka Drugstore [2009] dir Yu Katsumata

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 Hi! Otsuka Drugstore’s beginning is misleading; it doesn’t hint at the emotional heart that underpins the film.The story revolves around the unlikely friendship between Otsuka, middle-aged woman owner of Otsuka drugstore (seen above) and a high school girl, Nakasaku Emi (also seen above). Otsuka tries to advise the girl with her crazy approach that actually hides some good advice and her similar experience in the past – of which we are informed throughout the film through flashback.I...

*Raindance Preview Review* Boys on the Run [2010] dir Daisuke Miura

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  "Boys on the Run" (ボーイズ・オン・ザ・ラン) is most definitely a strange beast. The debut feature of successful theatre director, Daisuke Miura and starring Kazunobu Mineta (The Shonen Merickensack, Oh My Buddha) in the main role. Based on a manga of the same name, as many Japanese films are.  The description attached to it does not even come near to describing what this film really is - "A dementedly hilarious sex-comedy about a 29-year-old virgin obsessed...

"Angry Man" wins Grand Prix at Hiroshima 2010

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  TOKYO ~ Angry Man, a film about domestic violence, has won top prize at the Hiroshima Animated Film Festival. Based on the book by Gro Dahle and Svein Nyhus, the film focuses on a small frightened child who desperately wishes to tell someone about what is going on at home, but doesn’t know who to talk to or what to do. In awarding the Grand Prix to the film’s director, Anita Killi, the festival jury described Angry Man as a “beautifully made mixed media film” which...

JAPAN CUTS Festival of Contemporary Japanese Cinema (July 1-16)

ZERO FOCUS © 2009 DENTSU / TOHO / TV ASAHI CORPORATION / KINOSHITA CO., LTD. / The Asahi Shimbun / NIPPON SHUPPAN HANBAI / Yahoo Japan / TOKYO FM Broadcasting / Asahi Broadcasting / AGOYA BROADCASTING NETWORK / IMJ Entertainment / TSUTAYA Group / FLaMme / Kyushu Asahi Broadcasting / Hokkaido Television Broadcasting / HOKURIKU ASAHI BROADCASTING / Hiroshima Home Television / ehime asahi television All Rights Reserved.
 
 Offering you the roughest, the sharpest... and the smoothest of today’s cutting-edge film scene!

JAPAN CUTS returns with the only large-scale Japanese film festival in North America, offering U.S. and NY premieres of the latest and best in Japanese cinema. In its fourth consecutive year, the summer festival will screen over 20 titles (the most ever!), including co-presentations with the New York Asian Film Festival (July 1-4) and a special selection of films from the last decade (Best of Unreleased Naughties!) which have not been treated to U.S. release.

Full Schedule PDF

Japan Booth

Mad, Bad... & Dangerous to Know: Three Untamed Beauties

March 31 - April 18 At the opposite end of the stereotype of docile Japanese women—heroic good mothers, chaste daughters and hardworking faithful wives—actresses Ayako Wakao, Mariko Okada and Meiko Kaji embodied the transgression of limits, breaking rules, flouting norms and generally upsetting everyone. This series explores the idea of unconventional beauty that these spellbinding actresses created through an unparalleled body of films. Both Wakao and Okada were muses and inspiration for two major film directors, Yasuzo Masumura and Kiju (Yoshishige) Yoshida, respectively, while Kaji navigated between filmmakers, a wild card of Japanese cinema at the time. Put together, their films delineate what one could call an aesthetic of “convulsive beauty” (André Breton). Featuring a line-up of 13 films of many different genre, from anti-melodrama to jidaigeki, girl gang movies to women in prison films, with entries from Kiju Yoshida, Yasuzo Masumura and Toshiya Fujita. Don't miss the DRESSED TO KILL party following the opening screening of "Tattoo," Wednesday, March 31, 2010 at 7:30 PM. Visit http://www.japansociety.org/content.cfm/mad_bad__dangerous_to_know for full line-up and schedule. Buy Tickets Online or please call the Japan Society Box Office at (212) 715-1258, Mon. - Fri. 11 am - 6 pm, Weekends 11 am - 5 pm.

The Double-Edged Sword: The Chambara Films of Shintaro Katsu & Raizo Ichikawa

December 2009 - May 2010 With the centennial of director Akira Kurosawa’s birth coming up, 2010 will certainly be the year of sword fighting films (chambara)! While Kurosawa will always remain the "Emperor", two actors dominated postwar Japanese genre cinema: Daiei Studios’ cult stars Shintaro Katsu (1931-1997) and Raizo Ichikawa (1931-1969). Two actors, two styles, apparently poles apart yet actually complementary: earthy Katsu was the affable anti-idol rogue, unpredictable on- and off-screen, while ethereal, coolly enigmatic Ichikawa was considered the “James Dean of Japan”. Beyond their differences, both stars instilled in their roles a poisonous poetry and existential angst that lifted their art into genre-transcending territory. Curated by Chris D., genre film expert and author of Outlaw Masters of Japanese Film. Two of the most versatile, underrated and comparatively unknown movie performers post-WWII were not from America or Europe, but from Japan. Shintaro Katsu and Raizo Ichikawa defined their generation as surely as actors like Robert Mitchum, Montgomery Clift, James Dean and Clint Eastwood defined theirs. And like Mitchum and Eastwood they were equally at home in rugged action roles as in heavy drama and light comedy. Katsu’s blind swordman Zatoichi and Ichikawa’s misanthropic halfbreed samurai Kyoshiro Nemuri stand out as unforgettable, iconic characters on the panoramic screen of 20th century world cinema. – Chris D. Join us for this retrospective honoring two Japanese film legends.

High/Low - Trailer

The scene takes place in Tokyo and the story is about two step-brothers roaming across the city.

High/Low

Director: Fabien Dubois.
Two brothers just move in Tokyo. The first one is working on this decibel map project. the second one, totally lost and confused, drowns his dreariness in alcohol.

Looking For Anne

Director: Takako Miyahira.
The journey of a seventeen year old Japanese girl, Anri, who comes to Prince Edward Island with a secret mission, to find a canadian war veteran. Gradually we find out that the veteran was the man who gave the book "Anne of Green Gables" to her recently deceased grandmother, and was potentially her first love.

Film festivals in Japan

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Are you looking for film festivals in Australia? Use our country festival search engine to search by Call for entry, Date and Submission Fee. http://www.fest21.com/en/festivals?filter0=&filter1=&filter2=Japan&filter3=**ALL**&filter4=**ALL** You can also search festivals accepting film submission on fest21.com If your festival is not yet listed in our festivals directory, please click here. ...

22nd Tokyo International Film Festival

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The 22nd Tokyo International Film Festival, held from October 17 (Sat) until October 25 (Sun), 2009, has played an integral role in Japan's film industry and cultural scene since its establishment in 1985. TIFF aspires to be recognized as one of the four major film festivals in the world - in the same league as Cannes, Venice and Berlin, which now stand at the summit of the more than 2,600 international film celebrations. "Films don't necessarily have to portray the era, however,...

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