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Discover New Films

Potable

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Director: Jaryl Lim and Kew Lin.
It is the near future and a shocking incident with a water catchment area has left thousands dead. The cause: a waterborne virus that could possibly spread across the globe in a matter of weeks. The government enlists the help of trained professionals to seek out and inspect all water sources across the nation for signs of contamination. The protagonist is simply one of the many agents working on the case. Just another day at work for him, however, turns into a decision that could change the course of history.

Prabhat Nagari - Film 1

Director: Aman Wadhan.

The reunion of the last living workers of the erstwhile Prabhat Studio becomes a reflection on celluloid dreams, fathers and sons, and cyclicity of the universe.

 

Director's Note: On the lush premises of the Film and Television Institute of India, under the long shadow of the erstwhile Prabhat Studio, an important chapter in the history of Indian cinema quietly passes on from one generation of studio workers to the next. Stories galore, a few of them already legendary — some are slipping away into oblivion, countless others beg recall. This student film humbly started with a wish to bring together some of the oldest witnesses from the Prabhat era, but in the course of its making, after sifting through historical documents and personal chronicles, what has emerged is just this: What is it that truly lives on?

PRAHA DRESDEN BERLIN

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Director: MILTOS POULOS.
“The philosophers have only interpreted the world in various ways. The point is to change it.” It is about Marx’s 11th point on Feuerbach as well as it defines the main sentence in a personal-poetic storyboard with sounds, music and pictures. Pictures that claim memories of the past. Pictures haunting the present, piercing and conjuring it. Pictures that could make the opening to the main Game of a millennium which has already started to dawn, the third one, one which looks like it has more things on its head.

Prathyayam

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Director: Rajesh Touchriver.
Provocative, shocking and surprisingly tender amidst an explosion of unbridled emotions, “Prathyayam”(Trust) in telugu and “Ente…”(Mine…) in malyalam explores the consequences of sex trafficking, testing the vulnerability of trust in human relations. Srinivas(Siddiq) is a wonderful and devoted father to Durga(Anjali Patil), and he provides her the best. Working in the city and maintaining his family in a small town works well for him for years. One day everything is shattered when Durga comes unannounced to the city to appear for an interview concerning her college admission. Durga’s life is brutally torn apart as Srinivas wrestles with grief, remorse, self pity and guilt.

Predestination

Director: Daniel Bean.

An angsty philosophical short film with a unique visual and storytelling style directed by Daniel Bean.

Premises

Director: Pierre Yves Clouin.

PRESS

Director: Kazuyuki Akashi.

“My family fell apart long ago…” Kumi, 18, hit her father and no longer goes to school. She spends her days on a riverbank, which is also the favorite place of 28-year-old hostess Ryo, who owes money to Kumi’s father, Daikou. Even though Kumi considers Ryo, her father’s mistress, to be a sworn enemy, she begins to feel something of a connection with her and so comes to the riverbank to see her. Ryo hates Daikou for suddenly demanding she give back all the money he had given her, but despite this she too begins to feel a connection to Kumi, in whom she sees something of her own past. One day, Kumi meets Riyu, 17, a victim of online bullying. Unlike Kumi, Riyu continues to go to school despite a falling out with her ex-best friend, Saki. Kumi’s indifference proves strangely enticing to Riyu. Kumi and her mother, Kasumi, 40, stopped communicating with each other a long time ago. Kumi is cold to her mother, whose mental state gradually deteriorates, but at the same time does not know how to express herself. Daikou struggles with an impending lawsuit against him. Kasumi tries to revive her family by behaving as if everything was normal. Saki wishes she could make up with Riyu. All of their thoughts intertwine. For Kumi time has stopped since she hit her father. Riyu suffers as she tries to graduate high school. Ryo projects her own past onto Kumi’s present. Will they manage to get their lives back on track?

Princess of Nothing

Director: Karsten Pruehl.
In a modern metropolis, a young woman is living a safe life, fulfilled with entertainment and music. But when she starts to feel a threat of her pride, she is beginning to notice an alienation in this engineered world. Thus, she is searching for leadership and indeed: she finds integrety in a new kind of church. A new spirit drives her. Her world-view seams to become slightly more fulfilled, her relationships change for the better. But the man who impersonates the new belief, emerges as a coviting hypocrite. Finally she falls back into her technophilia and experiences relief in devotion to reproduced electric music.

Private Shame

Director: Howard Egger-Bovet/Michael Abela.
People on the street are speaking. Can you hear them? People on the street are down on their luck. Can you see them? This hip-hop video explores the present economic hardships through one family. It is call to put down the tech toys and help those around you in need.

Probably Spam

Director: Pierre Yves Clouin.

Being first is a job

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