IFFI 51, 16-24 January, 35: Encapsulating BanglaDesh’s Liberation War is Meghmallar “In Bangladesh, we call the 1971 Liberation War as the People’s War. My film Meghmallar is the story of a...

IFFI 51, 16-24 January, 34: Six hours to school; picking Prithviraj Das Gupta’s Green Blackberries “They had to walk first, and then row the boat, and, later on, they will have to take some other...

IFFI 51, 16-24 January, 32: June is the tale of a troubled boy and a mysterious woman “Healing is Beautiful. Through our film, we want to show that if there is a part of you that's broken, if there...

IFFI 51, 16-24 January, 31: Yesterday’s past and submerged villages are the theme for Nila Madhab Panda’s Kalira Atita “I have seen with my own eyes, how, over the years, the sea had engulfed three...

IFFI 51, 16-24 January, 30: Indian première of We Still Have the Deep Black Night Gustavo Galvao, Director of the film ‘We Still Have the Deep Black Night’, says that his movie is “a story of...

IFFI 51, 16-24 January, 29: Martina Sakova’s Summer Rebels is told through the eyes of an 11 year-old boy An 11-year-old boy defies his mother and runs away from his home in Germany to Slovakia, in...

IFFI 51, 16-24 January, 28: Onkar Diwadkar’s Still Alive, a psycho-drama on suicide “My film tells the story of a young protagonist who reaches the verge of suicide, leading to a psychological...

IFFI 51, 16-24 January, 27: “OTT is here to stay”: G.P. Vijayakumar “There was a big opposition when OTT made its initial appearance citing that it will end theatrical releases and shut movie...

IFFI 51, 16-24 January, 26: Past, Present and Future of Visualisation, according to Aditya Vikram Sengupta The shift from analogue to digital has changed the art of film-making, and also the mindset...

IFFI 51, 16-24 January, 25: PCs of Kripal Kalita, Blessy Ipe Thomas Kripal Kalita’s Assamese language film, ‘The Bridge’, throws light on the devastations and hardships that floods bring to Assam...