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Siraj Syed's Blogs
IFFI 51, 51: My ‘golden peacock’ moment and the denial of recognition to IFFI Veterans It’s not the real thing, only a memento. Nevertheless it is not the lesser for me, in terms of value. How did...
IFFI 51, 50: Ramin Rasouli’s The Dogs Didn't Sleep Last Night is based on four true stories “The Dogs Didn't Sleep Last Night tells the story of four different lives, driven by different emotions,...
Oh My Ghost, Review: The suicidal man and the four selfish ghosts who want him to live Different in many ways from the usual horror ghost dramas, both international and Indian, and even dissimilar...
IFII 51, 49: Avijatrik, a sequel to Satyajit Ray’s Apur Sansar In an edition where the International Film Festival of India (IFFI) pays tribute to legendary film-maker Satyajit Ray, there was a...
IFFI 51, 48: Prawaas exhorts people to embrace minimalism “Earlier, we used to regard the whole world as one family: Vasudhaiva Kutumbakam. But now, even the family is not regarded as family. We...
IFFI 51, 47: Is digital detox An Impossible Project? Put down your phones. Have a digital detox. This is the seemingly impossible invocation made by an IFFI 51 German film, featured under...
IFFI 51, 46: 14th February and Beyond--The flip-side of Valentine’s Day Valentine's Day is tampering with the mental well-being of our society. This is the emphatic and unequivocal message given by...
IFFI 51, 45: Aavartan is an attempt to showcase kathak in the time of item dances Renuka, a disciple of Kathak maestro Bhawna Saraswati, begins to add a new dimension to the dance form she inherited...
IFFI 51, January 16-24, 44: Press Conference of Vera Moura and Joao Pedro Mamedi, stars of Moral Order Women tried to find their voice in society, facing existential struggles, in the early half of...
RIFF 7, 05: Pride of Rajasthan Award to go to producer Om Chhangani The 7th edition of the Rajasthan International Film Festival (RIFF), accredited by the Federation of Film Societies of India...
