IFFI 52, 042: The awards, BRICS by BRICS South African Film Barakat by Director Amy Jephta and Russian Film The Sun Above Me Never Sets, by director Lyubov Borisova, has shared the Best film Award,...

IFFI 52, 041: Jury members celebrated the joy of cinema The International Competition Jury for 52nd International Film Festival of India led by Jury Chairperson, Iranian film maker Rakhshān...

IFFI 52, 040: Koozhangal is India’s Oscar nomination Koozhangal (Pebbles), India’s official nomination to Oscars, delineates the pain and sufferings of a child and a mother, both victims of marital...

IFFI 52, 039: “We are just here to make honest cinema,”—Ganesh Hegde To be or not to be. The very same existential question that vexed Hamlet in Shakespeare’s timeless eponymous play is what...

Pushpa-The Rise – Part 1, Review: Cross your legs Having steadfastly kept away from the staple diet of Telugu dubbed in Hindi dished out on a few TV channels 24 x 7, one was not aware of what one...

IFFI 52, 038: Shiraz Bazin Moussi on the value of short films Every edition of IFFI adds to the breadth and depth of the cinematic experience, greeting film lovers with many festival firsts. As part...

Spiderman - No Way Home, Review: Spidermen Indian release today, American release tomorrow. How exciting! Shot during the Covid 19 Coronavirus pandemic. How daring! Third part of a Trilogy –...

IFFI 52, 037: Blood flows through the streets in Killing of the Eunuch Khan Iranian film Killing the Eunuch Khan (Koshtan-e Khajeh in Persian), by director Abest Abed, is in contention for the...

IFFI 52, 036: Asian premiere of Night Forest “Night Forest is a children’s film but adults can also relate to this film. It is a fun film that everyone in a family can watch together”, said Katrin...

IFFI 52, 035: Ring Wandering aims to show the real Tokyo The Ring Wandering (Ringu Wandaringu) is a film about a Manga artist in Tokyo discovering the remains of the Second World war buried in the...