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Siraj Syed's Blogs
Cinematography Art, Review: A magazine for the learned and the learners At the Broadcast India exhibition, held at the Jio World Convention Centre, Bandra-Kurla Complex, Mumbai, October 13-15, I...
FIPRESCI’s Top Ten Indian films of all time includes two Satyajit Ray movies FIPRESCI-India (India chapter of the International Federation of Film Critics: FIPRESCI) conducted a secret poll for...
High Tide, Review: Time and tide wait for one There was a film in which the main character is a psychopath who buries his victims alive. This was a European film, probably Austrian, that sent...
Uunchai trailer launch: Heightened expectations Uunchai is not about family. It is about friendship. How far will you go to fulfill the last wish of a dear friend? Mount Everest? There can be no...
Phone Bhoot ghost shoots a mockumentary The trailer of Phone Bhoot, the comedy horror film that is scheduled for release on 04 November, was trending continuously for 24 hours on YouTube. Taking...
MISMFF 2022, 07: Prize winners A Special Mention went to Esmeralda (Mexico) A Special Prize went to “The Iron Digger” (Nepal) For the masterful Cinematography and the director’s respectful...
Kahani Rubber Band Ki, Review: Precaution first, protection afterwards No, it is not the story of a rubber band. The term is used as a euphemism for something that was known as French Leather in the...
Doctor G, review: A 124-minute operation, performed by a novice • Oct 15, 2022 at 02:15 PM
by Siraj Syed
Kantara, review: Dispossessing the 'possessed' Kantara is about conflict. Conflict between nature and human beings. Conflict between landlords and their subjects. Between Forest Officers and...
Aye Zindagi, Review: Goodness of human beings, greatness of cinema A very touchy, sensitive and polarising subject, Aye Zindagi (O Life) hits the right chords and sticks diligently to its theme and...
