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Ronita Torcato's Blogs
The film industry should seriously think about unconventional methods for screening of so called non-commercial fims says B S Lingadevaru, director of Nanu Avenal whose film "Nanu Avanalla’ was...
Korean offering at the ongoing 46th IFFI in Goa, ‘Daddy, Grandpa and My Lady revolves around three men who fall in love with a foreigner and how they react, behave and understand one another even...
Debesh Chattterjee,debut director of ‘Natokar Moto’ (Bengali for ‘like a play’) says helming was a great experience but he will always remain hopelessly devoted to the stage because “Theatre is in my...
In Goa, for a retro on his actor father, Shashi Kapoor, Kunal recollects his childhood experiences of attending past IFFIs with his dad and their house in Goa.( Shashi had two other children with...
Milt Shefter, an associate of the prestigious Writer’s Guild of America and a member of the Academy Awards (Oscars) believes India does not need digital preservation as reels are more long-lasting...
‘Pakaram’ a film by Shankar Debnath revolves around the life of a painter. The central character is a 10 year old boy named Tapu. Says Debnath: “ If a man takes hold of every moment he...
‘Sohra Bridge’ directed by the late Bappaditya Bandopadhyay is Bengali film which tells the story of a daughter who embarks on a journey, across the remote expanses of north east India, looking for...
In ‘I Cannot Give You My Forest’, Kondh adivasis from Rayagada in Orissa simply but powerfully demonstrate their symbiotic relationship with the forest, which is a rich source of nutrition for them....
The international community was represented by Ruth Harley (Former CEO Screen Australia and New Zealand Film Commission), Gisella Carr (Chief Executive, Film New Zealand), James Weyman...
Industry Delegates at the first Film Symposium Eminent film fraternity members included Shyam Benegal, Ramesh Sippy, Prakash Jha, Rakeysh Omprakash Mehra, Sudhir Mishra, Raj Kumar Hirani,...