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Lalit Rao's Blogs
18th MIFF 2024 showcased an impressive global diversity with 314 films from 59 countries, representing 61 languages. This broad cultural representation not only emphasized MIFF’s role as a hub...
Film historian Lalit Mohan Joshi’s poignant film ‘‘Angwal’’explores the vibrant yet often overlooked culture of Kumaoni poetry © film critic Lalit Rao (FIPRESCI) dated 05/11/2024 “Angwal,”...
Animation films by Swiss animation director Georges Schwizgebel : A world of animation where fluid and imaginative style creates captivating scene transitions through the use of classical music. An...
Photo Division Ministry of Information and Broadcasting Government of India On 2nd March 2024, after having watched Indian maestro Mrinal Sen’s critically acclaimed film ‘‘Kharij’’...
Interview with Indian director Leslie Carvalho by film critic Lalit Rao (FIPRESCI) dated 01.03.2024 Leslie Carvalho is a multifaceted personality of Indian independent cinema. Apart from being a...
1) Abhaas (1997) directed by Bijaya Jena. This is an interesting ‘‘auteur’’ film by Ms. Bijaya Jena who has won India’s national award twice. It is based on a 3 pages long short story by famous Odia...
Review of American film ‘‘Killers of the Flower Moon’’ (2023) directed by Martin Scorcese by film critic © Lalit Rao (FIPRESCI) 01/11/2023 ‘‘Killers of the Flower Moon’’ (2023) is...
Vijay Anand's film ‘‘Guide’’ (1965) remains one of the most admirable classics of Hindi cinema that promoted secular values, emancipation of women and a philosophical approach to...
‘‘Barbie’’ directed by Greta Gerwig film review © Lalit Rao (FIPRESCI) 10.08.2023 Audiences and critics will remember ‘‘Barbie’’ for a long time as a light-hearted film that came at a time when...
It was with an Austrian film ‘‘Alma and Oskar’’ directed by Dieter Berner that 53rd International Film Festival of India 2022 got off to a good start. It is a film about one of the greatest...