Vijay Anand's film ‘‘Guide’’ (1965) remains one of the most admirable classics of Hindi cinema that promoted secular values, emancipation of women and a philosophical approach to songs.
Hindi film ‘‘Guide’’ (1965) can be hailed as the first major, effective collaboration between an Indian writer writing in English and Hindi film industry. It is based on the novel by RK Narayan that won the prestigious Sahitya Academy A...
Vijayanand, Review: All Vijay, No Anand
You might be pardoned for mistaking the film to be a bio-pic on the genius Hindi film director, Vijay Anand (Guide, Jewel Thief, Johnny Mera Naam). But that can only arise out of ignorance, for if you have read anything about the film or seen a poster or video, you will be aware that this is nothing like a Vijay Anand bio-pic. It is, in fact, a docu-drama about a family in Karnataka that started with the printing industry and the next generation went in...
IFFI 51, 16-24 January 2021, 20: Rahul Rawail retraces Hindi film history, ‘In-Conversation’, online
The 1970s saw influx of new ideas, new experiments and a new genre of action films in Hindi cinema. Those were also the golden years for unconventional films and emergence of new techniques, said acclaimed film-maker Rahul Rawail, in an online ‘In-Conversation’ session on
“Film-making in 50s, 60s and 70s”, at the 51st International Film Festival of India (I...
With its lead players putting up pretences throughout the film, it is easy to label the film pretentious. To be fair, it is not pretentious. There is an element of sincerity in the making. My Client’s Wife is potentially full of sexual encounters, only the makers have been careful to keep it ‘clean’. But as is the problem with psychological thrillers, there are too many red herrings and deviations from the plot just to cause shock and awe. Is it based on a true story? The mak...
Farouque Shaikh: Memories and musings on his 70th birth anniversary
My earliest memories of the fresh and confident Farouque date back to the time when he was a senior at the elitist St. Xavier’s College, Mumbai, and I was a junior at the then humble National College, circa 1970-72. Among his contemporaries were Shabana Azmi, Satish Shah (Farouque was rather close to Satish), Pankaj Udhas, Anuradha (Paudwal) and Sharada (Kavita) Krishnamurthy, all celebrities in waiting. The college had...
