During nine days, Videoex presents in its 24th edition more than 150 international and Swiss works. In addition to the extensive competition, it curates retrospectives, special programs, discussions and a supporting program of live acts and installations. Various workshops will introduce adults as well as children and young people to the medium of film. From Switzerland, we will be showing the experimental and Super 8 films of Zurich filmmaker Anka Schmid, which were made in the turbulent 1980s, as part of the CH Focus. Artist and this year's Artist Focus Rosa Barba creates sculptural, bizarrely beautiful images of human inscriptions in nature. For the Artist Specials, three artists will be represented at the festival: Lawrence Abu Hamdan makes forensic hearing visible, Neïl Beloufa tells of content decomposition and colonialism by means of a formal break with cinematic conventions, and Basma Alsharif interweaves geopolitical landscapes such as her native Palestine with human existence. While the Swiss and International Competitions provide a representative snapshot of experimental filmmaking, the major guest program Arab Wave is dedicated to the artistic and cinematic works of the Arab Mediterranean.

From the founder of Australia's two leading genre film festivals - A Night of Horror International Film Festival and Fantastic Planet, Sydney Sci-Fi and Fantasy Film Festival - comes a cinematic celebration of all things fantastic, frightening, underground, off-beat, alternative, and just plain weird... to the American Midwest!

The Midwest is filled with dark and mysterious byways, strange critters, and mythical beasties. And the great state of Wisconsin has more than its share: from the very real historical monsters Ed Gein and Jeffery Dahmer, to legendary cryptids like the Beast of Bray Road and the Hodag, to strange and wonderful places such as the Forevertron, a UFO landing port, and the mythical town of killer midgets known as Haunchyville.... It's the perfect territory for a festival that focuses on weird cinema from all around the world.

The festival team dreams of MidWest WeirdFest evoking the awe and chills of the sideshow alley of a dark carnival, a place filled with wonders, terrors, and forbidden surprises. The cinematic equivalent of a collection of pulp magazines and underground comix. A film festival that not only celebrates and showcases independent genre cinema - horror, sci-fi, fantasy, thriller - but one that welcomes all types of underground film. From experimental and avant-garde to offbeat documentaries. The festival's seasoned programmers can't wait to see what cinematic wonders await in MidWest WeirdFest's first season of festival submissions!

MidWest WeirdFest's main venue is the Micon Downtown Cinema, located in the welcoming college town of Eau Claire, Wisconsin.

Mirror Mountain Film Festival brings the best in independent, alternative and underground cinema to Canada’s capital. We are a diverse and inclusive festival that welcomes all types of films and all types of people to share in the collective cinema experience. Our mission is to promote unique and original creative voices from the Ottawa-Gatineau region and from around the world. Mirror Mountain showcases innovative, groundbreaking and unconventional films in a wide variety of genres, including drama, documentary, animation, experimental, horror, sci-fi, fantasy, dance and music videos. In addition to film screenings, the festival features engaging, community-oriented activities such as live performances, hybrid media presentations, interactive exhibits, parties, panel discussions, Q&A sessions and more. Our events aim to connect filmmakers both with audiences and with one another, and to support artists through educational and professional development opportunities.

NEW THIS YEAR! Mirror Mountain is now also accepting submissions of interactive media to be considered for temporary exhibition in the festival lounge. Any works that allow the audience to participate directly, including VR, explorable 360° video spaces, playable videogames, film/video installations, net art and more are now eligible to be submitted using our new Interactive Media category on FilmFreeway.

mirrormountainfilmfest.com

The Chicago Underground Film Festival exists to showcase the defiantly independent filmmaker. Our mission is to promote films and videos that dissent radically in form, technique, or content from the “indie” mainstream and to present adventurous works that challenge and transcend commercial and audience expectations…if you suspect your film is “underground,” it probably is.

DEADLINES
Early Deadline: October 1, 2013 – Entry Fee: Features $35 (Students $20); Shorts $30 (Students $15)
Regular Deadline: November 15, 2013 – Entry Fee: Features $45 (Students $20); Shorts $35 (Student $15)
Late Deadline: December 15, 2013 – Entry Fee: Features $55 (Students $25); Shorts $40 (Student $20)

SUBMISSION GUIDELINES
A completed entry form and an entry fee must accompany each film or video submitted.

Preview copies must be NTSC DVD or Blu-Ray or a secure online screener (withoutabox, Vimeo etc). Foreign language work must be dubbed or subtitled in English. Please, do not send elaborate presentation materials, press kits, binders, etc. with your entry. All that is necessary to send is a clearly identified DVD and, if you like, a synopsis or contextual statement about your work. These are the only items that the programmers will see when they evaluate your submission. We don’t want you to pay for unnecessary materials, and they generate lots of waste. If your film is selected for the festival we will contact you about images and press kits. or better yet: put these materials online and type the URL into your entry form.

ENTRY FEES
Entry fees must be in U.S. funds only. Pay through Withoutabox or with this form through Paypal, check or money order. Checks and money orders should be made out to IFP Chicago (DO NOT make checks out to Chicago Underground Film Festival ).

ENTRY FEE EXCEPTIONS
Entry Fees are not required from filmmakers who have screened at CUFF in the past. If you are working in a part of the world where an entry fee would prohibit you from submitting your film, contact us at info@cuff.org to request a fee waiver. Please understand that we rely on entry fees for the operation of the festival and only request waivers when necessary.

SHIPPING
Cost of shipping exhibition prints to the festival is the responsibility of the entrant. Exhibition copies must be sent to the festival prepaid. All film reels, cans, videotapes and cases must be labeled with the title of the entry. The festival will cover return shipping via FedEx or US Mail. The entrant or the recipient must pay additional charges for express shipping or transshipments to foreign film festivals. The festival cannot accept responsibility for damage or loss of materials while in transit. Please use only plastic or bubble pack envelopes when shipping entries.

-PLEASE DO NOT USE FIBER ENVELOPES. FIBER CAN DAMAGE TAPES AND EQUIPMENT!

MAIL ENTRIES TO:
Chicago Underground Film Festival
2044 W. Chicago Ave
PMB # 155
Chicago, IL 60622

NOTIFICATION
The festival selection committee makes all programming decisions. If accepted we will notify filmmakers by email and phone. Films not selected will receive notification by email. If accepted, the print of your film or presentation video will need to be in our office by March 1, 2014. Be sure to indicate aspect ratio of your film/video as well as any other special screening/presentation information we might need to know. CUFF prefers high quality digital files for exhibition of video work.

CATEGORIES
Please select only ONE category for your entry when completing your entry form. For our purposes ‘feature’ refers to films 60 minutes and over. ‘Experimental’ refers exclusively for non-narrative, non-documentary works. We reserve the right to re-categorize submissions as we deem appropriate.

AWARDS
Although the art of filmmaking is not competitive, The Chicago Underground Film Festival does give awards. The festival jury will present several awards to films and videos selected as best or most interesting in whatever categories they see fit. Additionally “Made in Chicago” and Audience Choice awards will also be presented.

RETURN OF SUBMISSIONS/SCREENERS
Due to the large number of entries received submission materials and videos will not be returned.