Kuttey, Review: Gulp Friction Quentin Tarantino can rightfully claim a patent to the format used in Kuttey: prologue, epilogue and a non-chronological structure, with the present merging with the...

Bhool Bhulaiyaa 2-Song launch at Imagicaa: How far will you go to watch a film song? Bhool Bhulaiyaa 2 is the second part of the franchise, the title of which means Maze or Labyrinth. Imagicaa is an...

Salman and Katrina come to Bharat Hotel Taj Land’s End, Bandra, is about 500 metres from where Indian superstar Salman Khan resides. It would take him exactly five minutes to walk to the venue, or...

De De Pyaar De, Review: Differential calculus Some films begin on a positive note, start developing into potential winners, and then squander it all away, with inane, inept, insane, insipid,...

Missing, Review: You aren’t missing anything It’s a confessional title and admission of guilt, for there is a lot that is missing in this film, a credible plot to begin with. Crisp editing and some...

Talvar, Review: Whodunit? Doesn’t matter! Like the 1950 Japanese cult film Rashomon, directed by Akira Kurosawa and often rated as one of the greatest films ever made, remade n number of times in...

Drishyam, Review: Missing Corpse, Hissing Cops and Habeas Corpus What would drive producers to make and remake a film in five different Indian languages in a span of two years? Box-office success of...