IFFI 51, 45: Aavartan is an attempt to showcase kathak in the time of item dances Renuka, a disciple of Kathak maestro Bhawna Saraswati, begins to add a new dimension to the dance form she inherited...

A maker with a penchant for addressing social and sociological malaises tries his hand at the intra-nation village/small town to big city trans-migration issue in India, as seen through three...

Ajji, Review: Gran finalé Enough of laurels for acclaimed shorts like Taandav, Aglee Baar, Absent, and the largely unknown feature, Oonga. It was time for Devashish Makhija to push the limits hard,...

Siraj Syed’s IFFI 2016 diary VIII, Open Forum IV: Courses for horses or horses for courses? Both, really. We are in the age of customised platforms for film viewing finding best-match,...