Dono, Review: Between Dono and Donot It takes two to get married. Three into two won’t go. So how about four? That’s a no-no. No, not four persons getting married ensemble, but the bride and the...

Chup: Revenge of the Artist, Review: Critickill analysis Film critics, run for cover! Better still, seek police protection. Take a cue from the one renowned film critic already has police...

Radhe Shyam, Review: Goodness gracious, how flirtatious! At its core, Radhe Shyam rakes-up an interesting debate, between destiny and those exceptions who surmount their pre-ordained destiny, and,...

RIFF 08, 2022, 02: N. Chandra to get Lifetime Achievement Award The 8th edition of the Rajasthan International Film Festival (RIFF) will be organised by RIFF Film Club, during 25-30th March, 2022,...

Velle, Review: R4=Raw, rash, rant, rabble When you have to wait for an hour to see a film like Velle, it is like rubbing salt into wounds that have yet to be inflicted. That it lasts a mere two...

Mohalla Assi, Review: Holy river, unholy Babas He’ll get there, eventually. Beginning with the TV serial Chanakya (321 BC-283 BC), about the life and times of the master strategist in the Maurya...

Yamla Pagla Deewana--Phirse/3, Review: YPDP 3, Y indeed? Is good judgement failing the Deols? And did any well-wisher not bring to their notice that the story and screenplay of Yamla Pagla Deewana...

Poster Boys, Review by Siraj Syed: The Half Monty Actor Shreyas Talpade’s directorial debut vehicle Poster Boys is a remake of his Marathi hit, Poshter Boyz. It also carries an elaborate scene...