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Sufi
Malang, Review: Why knot when you cannot unknot?
Six cops, a serial cop killer, a wandering maiden, a Swedish female drug peddler and a sexually starved wife form the core dramatis personae of Malang, a crime-vendetta-whodunit tale that comes with a misleading title. Malang can mean many things, all of them associated with detached, saintly, carefree, Sufi and seer type individuals, often seen as wandering minstrels. You will have to test the elasticity of your imagination in order to co-rela...
The Black Prince who walked the Red Carpet at Cannes
Very little is known about Maharaja Duleep Singh, the last Maharaja of Punjab with his capital at Lahore, who is said to have gifted the invaluable Koh-i-Noor diamond to Queen Victoria, while a young boy. Time and again, a lobby is raised in India to try and get it back from Britain, only to fizzle out. Dalip Singh remains an enigmatic figure, a missing chapter from India’s colonial history. All that is set to change with oncoming rel...
Siraj Syed reviews ‘A Million Rivers’: Complex hOMage to simple man PURI
This ‘homage’ began as a ‘tribute’ to Om Puri, counterpoised against Lillete Dubey, by writer-director Sarah Singh, four years before his death, in 2013, and was completed in 2016. We saw the film on 30th January 2017, at the Black Box, in Central Mumbai, courtesy the G5A Foundation for Contemporary Arts and Culture.
When I last met Om Puri in the last week of November 2016, at the In...
Singh is Bling, Review: Kickass, jackass and badass
Singh is blink-ing. Maybe winking. After many head-banging, from a ledge, he is hanging. His lady love is English talking. With them is in...
Director: Roy Dipankar.
Nima Lavafpour is a travelling musician from Iran, who has had a deep intimate relationship with India. And ever since a child, he has been visiting and re-visiting India to discover his spiritual quest. And on one such visit, he gets to re-discover a memoir.
Taking us back in time (2007) when his band Nafir was a blend of traditional Persian and modern world fusion sounds of the tanboor, khamanche, daf or dafli, with a dash of nu-jazz guitar and steel flute intertwined with howling dervish chants & contemporary vocal styles.
This film is a musical exploration of memoirs of travels, sanguine performances, candid moments and exchange of philosophies reminding us of an age-long spiritual and cultural bond between India and Iran. For those who are following open lines of Sufism outside and beyond any pre-conceived doctrine of law or institutions.
It took 8 years for the filmmaker to shape, form and mould documented evidence into a story that unwraps and explores the Kadiri dervish form of Sufi music (Persia) and an age-long cultural & spiritual Indo-Iranian bond. This film is also a kind of a unique proposition towards building an international exchange of music and expertise between the two great nations of India and Iran, who've left a huge cultural impact on the world...
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