In the mood for Mood Banaleya, with Amruta Fadnavis Her instant intro on Instagram reads, “Banker, Singer, Social Worker, Unadulterated Free Spirit! What you have many can have...but what you are no...

Wonder-dancer AJ stakes claim as India’s answer to MJ Amit Jadav, aka AJ, a Mumbai prodigy, is a singer-dancer who can leave you wonder-struck with moves that are leaves right out of Michael Jackson...

Bachchan Paandey, Review: Gangsters are best played by real-life gangsters Why would you choose a name like Bachchan Pandey, unless you thought you could cash-in on the franchises called Amitabh...

Super 30, Review: Inequality, equality and variable quality Two basic tenets form the paradigm of Super 30: a real-life story about a nondescript do-gooder who is a super achiever must strike a...

Hume Tumse Pyar Kitna, Review: Limerence, belligerence and incoherence A clutch of songs, exquisitely picturised, with little or no lip sync, linked together by a skeletal story about obsessive...

Kalank, Review: Masochistic miasma Everything in Kalank (blemish, stigma) is grand, both in content and in form. Sets and décor, riches and poverty, locales and vehicles, make-up and costumes,...

Toilet—Ek Prem Katha, Review by Siraj Syed: Loo and behold! There is no point getting revolted by the title. Any fear that the film might have ‘dirty’ scenes can be laid to rest by the realisation...