Bala, Review: Haireditory and dark humour Two films in rapid succession about hair loss are about as rare as a new lock of hair sprouting on a bald pate. Whereas Ujda Chaman had the relatively...

Ujda Chaman, Review: Hair loss, weight gain Barren follicles and overflowing lipids can, and often do, cause the corps to be subjected to taunts and ridicule for extended periods of time, maybe all...

The Zoya Factor, Review: Cricket superstitions, and bowling a ‘maiden’ over It’s a romantic comedy about cricket, superstition and finding your soulmate after several heart-breaks. Strange...

Family of Thakurganj, Review: Nannu, Munnu and nothing New, New Referencing dozens of mafia/gangster movies made in India and the West, Family of Thakurganj glorifies crime for the major part, gets...

Daas Dev, Review: Devspeare Talking about the response generated by Hazaaron Khwahishen Aisi at the International Film Festival of India, Goa, director Sudhir Mishra had told me that all praise was...

Siraj Syed reviews Shivaay: She: Vaay? He: Vaay not? Shivaay is a balanced film, in a convoluted kind of way. There is a germ of a story and there is major plagiarism of tracks from both Hollywood...

Gour Hari Dastaan/The Freedom File, Review: His-story Described in the press as a Kafkaesque black comedy when it was launched in 2011, Gour Hari Dastaan is based on a true story, of Gour Hari Das...