Mere Desh Ki Dharti, Review: Suicide or pesticide, you decide You get two films for the price of one when you, or if you, go to see Mere Desh Ki Dharti. Now, if you happen to arrive a little late, after the opening credits, the first half makes you wonder whether you have been ushered into the wrong auditorium of a multiplex, and the film you are watching is not Mere Desh Ki Dharti. On the other hand, if you arrived on time, you must wonder whether the reels have got mixed-up (what an archaic...

Bhoot, the Haunted Ship-Part I, Review: Scares are scarce Considering the negligible number of ghost stories being made in India, Bhoot, the Haunted Ship-Part I, made by names Dharma and ZEE, would have been a film to look forward to. It turns-up with a mixed bag, offering more mix than bag. Firstly, the title is a giveaway, for we already know that there is going to be a ship and that it will be haunted. Secondly, the film plays totally safe, in catering to both kinds of audiences—thos...

Shukranu-Hui Emotion ki Nasbandi, Review: Tale of forced sterilisations lacks potency In modern Indian history, the Internal Emergency, proclaimed in 1975 and in place for about two years, is regarded as a highly controversial phase. During this period, buses and trains ran on time, attendance in government establishments increased astronomically, corruption was all but eliminated and prices of a host of essential commodities were controlled. But all this was accompanied by curbs on freedom o...

Bose Dead or Alive: Rajkummar Rao in thriller take on Indian freedom fighter If you were a patriot and freedom seeker in the British colonial India of the 1920s-1940s, you either believed in non-violent struggle, a movement led by ‘Mahatma’ Mohandas Karamchand Gandhi or the increasingly violent approach of ‘Netaji’ Subhas Chandra Bose. Mahatma means great soul and Netaji translates as leader. Both belonged to the Congress party, but when Bose called for armed struggle,...

Siraj Syed’s IFFI 2016 diary, IV: BRICS by bricks A film festival, with a competition section, was held in September, in New Delhi, preceding the Brazil, India China, Russia and South Africa (BRICS) summit, to which Goa played host last month. 20 films (4 each from member countries) were screened. Awards were given in five categories: (i) Best Film- Thithi (India); (ii) Best Actor Male- Thabo Rametsi (South Africa); (iii) Best Actor Female- Yulia Pereslid (Russia); (iv) Best Director- H...