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Martin Scorsese Masterclass in Cannes

 

 

 

Sam Raimi

Dr. Strange-The Multiverse of Madness, Review: Averse, obverse, inverse, diverse, reverse, converse, traverse, transverse

Dr. Strange-The Multiverse of Madness, Review: Averse, obverse, inverse, diverse, reverse, converse, traverse, transverse Of all the screen movements in Dr. Strange-The Multiverse of Madness, floating and jumping are the main competitive events, closely followed by light rings that are twirled and hurled as weapons by either side. If you can excel in these events, you win the battle. The battle, yes, but the war, no. It is a completely unequal war, with a witch who keeps winning any which way...

The Jungle Book, Review: Unputdownable

The Jungle Book, Review: Unputdownable A fitting tribute to the 1967 version on its golden jubilee, The Jungle Book is unputdownable. You might find differences in the two versions, and in the book itself. Don’t bother comparing. If the smooth-sailing songs make you sing-along (a friend seated on my left just wouldn’t stop), even better. Gaze into the volcanic eyes of the animals, marvel at the resourcefulness of the man-cub, and applaud the imagination of the writer who spun this...

The Global Film Village: Writing for the Genre World a WGA panel at the AFM

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by Marc Halperin   Stephen Susco, Mick Garris, Larry Cohen, Juliet Snowden and Stiles White photo by Marc Halperin    Writing for the Genre World a WGA panel moderated by Mick Garris( creator/producer: Masters of Horror; writer/director/producer of Riding the Bullet, Fear Itself and many others. Larry Cohen writer; Phone Booth, I, the Jury and writer or director of numerous other genre favorites. Juliet Snowden and Stiles White co-writers of Boogeyman and Knowi...

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