Pathaan, Review: Exploits and exploitation Encyclopedia Brittanica defines a pathan thus: Pashtun, also spelled Pushtun or Pakhtun, Hindustani Pathan, Persian Afghan, ethnolinguistic group residing...

Vikrant Rona, Review: Ducking in 3D Exotic, lush green locales and serial killing do not go together, but here they do. Vikrant Rona is the name of the protagonist (or is it?), the second part of...

Hachette’s The Bollywood Pocket Book Series, A 4-in-1 Set, by Diptakirti Chauduri: Get set Yes, it’s a pun. I mean you should get the set, buy the book, or rather, books. They look deceptively thin...

Bachchan Paandey, Review: Gangsters are best played by real-life gangsters Why would you choose a name like Bachchan Pandey, unless you thought you could cash-in on the franchises called Amitabh...

        IFFI 52, 034: Some competition films not competitive, below par When you have already attended 44 IFFIs, you pretty much know what to expect. Or do you? Arriving from Mumbai by train on the...

Love Aaj Kal 2020, Review: 141 minutes of messy, moronic, melodramatic mishmash What do you do when that elusive commodity called plot decides to stay clear of your net? You dig into your archives...

Dabangg 3, Review: A Bad Dab at Bangg 3 theory There must be a theory that if the first two instalments of Dabangg have worked, a third one must be attempted. The theory probably stipulates that...

Hume Tumse Pyar Kitna, Review: Limerence, belligerence and incoherence A clutch of songs, exquisitely picturised, with little or no lip sync, linked together by a skeletal story about obsessive...

Yamla Pagla Deewana--Phirse/3, Review: YPDP 3, Y indeed? Is good judgement failing the Deols? And did any well-wisher not bring to their notice that the story and screenplay of Yamla Pagla Deewana...

Siraj Syed reviews Anaarkali of Arrah: Item girl--“Spite ’em girl, Bite ’em girl” Ten minutes into this loud and raw film, you know you will root for the protagonist, an item girl plying her art in...