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IFFI 51, Goa, 16-24 January 2021, 11: OTT to serve highlights and varied fare

  IFFI 51, Goa, 16-24 January 2021, 11: OTT to serve highlights and varied fare The 51st Edition of Asia’s oldest and India’s biggest festival, The International Film Festival of India (IFFI) which is to be held in Goa from 16th January to 24th January 2021, has announced a line-up of programmes that will be showcased on the OTT platform during the festival. Taking into account the ongoing Covid 19 Corona Pandemic, the International Film Festival of India...

New York Lauds Godard with Awesome Retrospective

Fifty years ago this fall, from September 10-19, 1963, the first New York Film Festival was held. The cinema world was different in those days. In an era before home video and DVDs, the few venues for film fanatics to see non-mainstream or foreign films were repertory cinemas, college film societies or festivals. The top grossing film that year was Cleopatra, starring Elizabeth Taylor and Richard Burton. And although Beatlemania had reached a critical mass in Britain, the band had yet to conqu...

Sydney Film Festival

Sydney Film Festival is one of the longest running film festivals in the world screening feature films, documentaries & short films across 12 days every winter.Each year the festival brings the best new films from around the world to audiences right here in Sydney.

The festival hosts a number of awards to recognise excellence in filmmaking, including the FOXTEL Australian Documentary Award, the Dendy Awards for Australian Short Films and the Official Competition, which celebrates ‘courageous and audacious filmmaking’ and has a cash prize of AUD$60,000.00

As well as brand new features from over fifty countries, we screen short films, Australian films, documentaries and archive titles, many of which are recently restored, for a total of more than 250 screenings in six venues.

There were more than 143,000 attendances to the 60th Sydney Film Festival in June 2013, and 2014 is shaping up to be even bigger, please join us!

More about the Slovenian Retrospective at the Hammer Museum

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More about “Slovenia Begs to Differ,” a unique retrospective of Slovenian films, 1945-present, that played in September at the Hammer Museum’s Billy Wilder Theater. It was curated by Vera Mijojlic, artistic director of the South East European Film Festival (SEE FEST) and Shannon Kelley, head of public programs at UCLA’s Film and Television Archive, with special thanks to Nerina T. Kocjancic of the Slovenian Film Center.   My second Slovenian film experience feat...

ÉCU in Romania!

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ÉCU- The European Independent Film Festival is very excited to bring a selection of it’s award winning films from the past six years to Romania. The ÉCU Retrospective will be taking place between October 17th-22nd in Bucharest. ÉCU and Romania have a long history which began in 2006 with the director Catalin Leescu’s film being selected for the competition, and this was later followed by the film Tarantyno which won the award Best Actor at ÉCU 2010. The independent spirit in those fi...

Transatlantyk Festival Plans Miloś Forman Retrospective

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The Transatlantyk Poznan International Film and Music Festival will honor renowned Czech film director Miloś Forman with a retrospective at this year's inaugural event, which runs from August 5-13, in western Poland. The series will screen many of the director's most popular and critically acclaimed works, ranging from his early films Black Peter (1964), Loves of a Blonde (1965) and The Firemen's Ball (1967), as well as the director's documentaries and short films produced in Czech...

Diagonale 2011: Solo Retrospective Peter Tscherkassky

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One of the highlights of this year’s festival is the solo retrospective on filmmaker Peter Tscherkassky, which introduces and honors his work. Tscherkassky is one of the internationally most prominent and renowned representatives of avant-garde film. Since the mid-80’s, the 52-year old Viennese has produced unique films drawing upon found footage of largely Hollywood productions. Frame for frame the filmmaker copies details and fragments from these sources in the dark room by using elaborate...

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