Crash Course Trailer launch and Press Conference: Puppets on a chain From ambitions, aspirations and rivalry, to forging everlasting friendships... the trailer of Amazon Prime Video’s new OTT show,...

Escaype Live, trailer launch and press meet: Two Sidhharths, one JJ and many escaype artistes Disney + Hotstar, one of a handful of leading OTT platforms, has formulated what it calls the “biggest...

RIFF 08, 2022, 09: Films for change in society As a regular feature, the Rajasthan International Film Festival (RIFF) holds Talk Shows, on the lines of the Open Forum, conducted by the Federation...

Jhund, Review: Every Jhunderdog has his day Literally translated, Jhund means herd. Only in this case, the reference is to a group of young slum-dwelling, smoking, drinking ragamuffins, who are also...

IFFI 52, 039: “We are just here to make honest cinema,”—Ganesh Hegde To be or not to be. The very same existential question that vexed Hamlet in Shakespeare’s timeless eponymous play is what...

IFFI 52, 038: Shiraz Bazin Moussi on the value of short films Every edition of IFFI adds to the breadth and depth of the cinematic experience, greeting film lovers with many festival firsts. As part...

IFFI 51, 16-24 January, 27: “OTT is here to stay”: G.P. Vijayakumar “There was a big opposition when OTT made its initial appearance citing that it will end theatrical releases and shut movie...

FICCI FRAMES, VII: India’s filmed entertainment sector, 2016-2020E EY--Re-imagining India's M&E sector; Ernst and Young  Report, released 04 March, 2018, at FICCI FRAMES 18, Grand Hyatt Hotel,...

“Film is the most regulated medium in India”—Uday Singh, MD, Motion Picture Distributors’ Association Copyright, intellectual property and piracy issues were discussed at the one-day conference on...

Siraj Syed covers CommunicAsia 2017, Post-event reportage, 03: Brightcove Unveils Ground-breaking Technology Brightcove (NASDAQ: BCOV) announced at BroadcastAsia2017 (held in conjunction with...