Khela Hobe, Review: Om Puri lives, six years after his death Your gut reaction on seeing a film like Khela Hobe is to lambast it, tear it to shreds and dump it in the bin. You can have a field day...

Har Kisse Ke Hisse Kaamyaab, Review: Many parts, many holes, no whole, no soul In one scene of Har Kisse Ke Hisse Kaamyaab, the protagonist, an actor who goes under the screen name of Sudheer,...

Ardh Satya: Govind Nihalani revisits the time of half-truth Many things were happening in Indian cinema during the early 1980s. The National Film Development Corporation (NFDC) was financing and...

Daas Dev, Review: Devspeare Talking about the response generated by Hazaaron Khwahishen Aisi at the International Film Festival of India, Goa, director Sudhir Mishra had told me that all praise was...

Newton, Review: Gravity of the situation Had he been alive in the modern period, the British scientist would have bagged multiple Nobel prizes for his pioneering work in Physics. As it happens, the...

Siraj Syed reviews ‘A Million Rivers’: Complex hOMage to simple man PURI This ‘homage’ began as a ‘tribute’ to Om Puri, counterpoised against Lillete Dubey, by writer-director Sarah Singh, four...

UVAA, Review: Yuvanile delinquents It pains you when an apparently well-intentioned film, made with limited resources, pads it up with trivia and inconsequential trappings, thereby relegating the...

The Hundred-Foot Journey: Worth going far to watch Riots, destruction of  his restaurant, and his wife (Juhi Chawla)’s death push Papa Kadam (Om Puri) and his four children out of India. The family...