Kuttey, Review: Gulp Friction Quentin Tarantino can rightfully claim a patent to the format used in Kuttey: prologue, epilogue and a non-chronological structure, with the present merging with the...

Case Toh Banta Hai, Trailer Launch and Press Conference: Courting laughter Trials and tribulations continue on the web. The genre has attracted Banijay Asia production house to create a show based...

Har Kisse Ke Hisse Kaamyaab, Review: Many parts, many holes, no whole, no soul In one scene of Har Kisse Ke Hisse Kaamyaab, the protagonist, an actor who goes under the screen name of Sudheer,...

Ardh Satya: Govind Nihalani revisits the time of half-truth Many things were happening in Indian cinema during the early 1980s. The National Film Development Corporation (NFDC) was financing and...

Manthan and the churning of good cinema: Master Class with Shyam Benegal Standing upright at 82, the one-time swimming champion and one of the foremost directors of Indian cinema, Shyam Benegal,...

Hope Aur Hum, Review: Hoping against hope Small-budget indies with clean, wholesome, slice of life content, surface regularly, taking you through bittersweet emotions, sans villains and...

Irrfan Khan, Naseeruddin Shah and Om Puri’s Alma Mater, NSD’s Theatre Olympics India’s National School of Drama (NSD) has produced many a luminary in the field of film and television, both in front...

IFFI Goa 2017, XV: UnSeen Durga and the Nude that nobody saw Among the many controversies and shake-ups that IFFI Goa 2107, one concerns the exclusion of two Indian films from the Indian Panorama....

Tom Alter: Actor, Cricketer, Urdu lover and Caucasian Unlikely combination of professions and hobbies for a man named Thomas Beach Alter, who hailed from a family of American missionaries. His...