The Courier, Review: Delivers on time A spy story with no fights, no gadgets, agents who neither carry guns nor seduce each other, The Courier is a hark-back to the genre that can be traced at least...

The Spy Who Dumped Me, Review: Jumped, Pumped, Slumped, Stumped Pre-credit scenes à la James Bond, the JB theme variation in a couple of scenes and a title that is a clear Ian Fleming lift—remember...

Mission Impossible-Fall Out, Review: “The greater the suffering, the greater the peace” Sixth in the TV series-to-big-screen franchise, Tom Cruise’s Mission Impossible is aptly titled Fall Out....

Atomic Blonde, Review by Siraj Syed: Blonde, Lorraine Blonde “Bond, James Bond” is the most famous self-introduction in spy movie history, courtesy Sean Connery playing Ian Fleming’s Cold War time...

The Man from U.N.C.L.E., Review: US nephew, Russian nephew, German niece and the sinister Italian family plot It’s not about a man or the man, and the clever acronym for the secret agent network is...

Mission: Impossible-Rogue Nation, Review: Bond-Bourne amalgamation You couldn’t escape noticing that the Mumbai press preview of Mission: Impossible-Rogue Nation was being held at the renovated Fun...

Spy, Review: Mel iss a delight Spy thrillers have spawned spoofs by the dozen, ever since James Bond’s maiden foray, Dr. No. (We can discount the earlier Casino Royale). Almost all of them were done...