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metropolitan

Kate Beckinsale Is For Fangirls Too In Love And Friendship, Whit Stillman’s A+ Austen Romp

By Quendrith Johnson, Los Angeles Correspondent “It is a truth universally acknowledged” that Jane Austen (1775-1817) will be source material in the foreseeable forever, but it is actually surprising that director Whit Stillman (Last Days of Disco, Metropolitan) has so nailed her work in his new film “Love & Friendship,” that lead Kate Beckinsale should be Oscar-worthy for 2016.  And while giddy Fanboys still own Beckinsale for her sleek, sexy turn in the &ld...

Cosmopolitan Man: An Interview with Director Whit Stillman

Whit Stillman likes Paris. And the feeling seems to be mutual. After all, why not? The American director relocated to the city in 1998 and lived there for twelve years. And this coming week will mark a triumphant return for Stillman, as the Champs-Élysées Film Festival, which runs from June 11-17, pays tribute to his work with screenings of Metropolitan, The Last Days of Disco and Damsels in Distress, ahead of the theatrical re-release of Metropolitan, which will open in French c...

Princess of Nothing

Director: Karsten Pruehl.
In a modern metropolis, a young woman is living a safe life, fulfilled with entertainment and music. But when she starts to feel a threat of her pride, she is beginning to notice an alienation in this engineered world. Thus, she is searching for leadership and indeed: she finds integrety in a new kind of church. A new spirit drives her. Her world-view seams to become slightly more fulfilled, her relationships change for the better. But the man who impersonates the new belief, emerges as a coviting hypocrite. Finally she falls back into her technophilia and experiences relief in devotion to reproduced electric music.

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