Dilli Kaand, Review: Those that rape and those that gape When a film is delayed six years in its release, its fate is more or less sealed. Dilli Kaand was launched in August 2015 and sees the light...

Chhapaak, Review: Aesthetic and prosthetic Laxmi Agarwal had acid thrown on her face and body in 2005. She survived, and lived to identify the attackers. What’s more, she succeeded in getting...

Chhapaak song released with a splash bash Exactly a week before the film’s release, the makers of Chhapaak released the title track at a media get-together held on Friday afternoon, at the JW...

IFFI 50: Meghna Gulzar is a very lazy writer Film-maker Meghna Gulzar, screenwriters Juhi Chaturvedi, Pooja Ladha Surti, cinematographer, Modhura Palit and columnist Sumedha Verma Ojha spoke on...

Raazi, Review: Lying and spying, willing and killing As spy thrillers go, Raazi is, at best, average fare. During the first half, it runs the risk of becoming a pedestrian assemblage of trope...

Talvar, Review: Whodunit? Doesn’t matter! Like the 1950 Japanese cult film Rashomon, directed by Akira Kurosawa and often rated as one of the greatest films ever made, remade n number of times in...