Third Eye, 2022, 19, 03: Asian Film Foundation awards Sudhir Nandgaonkar the Satyajit Ray prize Sudhir Nandgaonkar worked tirelessly, all his life, for the cultural heritage of cinema. He reached...

MFF 21, 2019: Fernando Meirelles’ Masterclass Brazilian filmmaker Fernando Meirelles took a master class on the fifth day of MAMI’s 21st Mumbai Film Festival. Best known for his globally acclaimed...

Deepika Padukone in MFF 21 Movie Mela: Pre-festival feast of conversations with stars, directors For the last few years, Mumbai Academy of Moving Image (MAMI) has been holding Movie Mela as a...

MIFF 2018, XI: 400 years of the Negro That is what it took for the black people in America to get civil rights. And almost prophetically, the then Attorney-General and brother of the President,...

Mumbai Film Festival: Pot luck and glam game MFF, run by Mumbai Academy of Moving Image (MAMI), is among four Indian film festivals recognised by FIAPF ((Fédération Internationale des Associations...

Félicité, Review by Siraj Syed: Cinema réalité Challenging forms and formats, genres and categories, Félicité agitates your mind by showing too much of some things and too little of other elements....

Siraj Syed interviews young film-maker Pratik Rajen Kothari *How many films have you made since your student days and what/who made it possible to make them? I have made three short films plus...

FICCI FLO Film Festival, Report, I: FLO Mo Known for organising India’s biggest three-day Media and Entertainment conclave in March every year, FRAMES, the Federation of Indian Chambers of Commerce...

    MAMI’s MFF Diary, Part II: 7th IFFM, Jan. 6-13, 2005, Mumbai, India IFFM was into its 7th year when I returned from Singapore for good, and made got the first opportunity to attend the...

Back in the mid 90s, a group of Mumbai-based film-enthusiasts felt that it was time the International Film Festival of India (IFFI) stopped alternating every year between New Delhi and other metro...