IFFI 21024, 10: Five Indian films to compete for newly instituted DEBeaUTiful film award With an aim to promote new and young talent in the country, the 55th edition of the International Film...

Jagran Film Festival awakens us to some great cinema Back after a three-year hiatus, prompted by the Coronavirus Covid 19, Jagran Film Festival (JFF) stuck to its base in Mumbai, the Cinépolis...

Vijayanand, Review: All Vijay, No Anand You might be pardoned for mistaking the film to be a bio-pic on the genius Hindi film director, Vijay Anand (Guide, Jewel Thief, Johnny Mera Naam). But that...

Chup: Revenge of the Artist, Review: Critickill analysis Film critics, run for cover! Better still, seek police protection. Take a cue from the one renowned film critic already has police...

Trailer success meet and song launch of Major: Lookout, big fish, here comes the goldfish Three big, real BIG pictures are on the verge of release, simultaneously. Two are from the South, and one...

Operation Romeo, Review: Regaining consciousness and recharging consciences When Neeraj Pandey, of A Wednesday fame, is co-producing a film, and it is titled Operation Romeo, you expect a taut...

KGF Chapter 2: Cinépolis IMAX, Seawoods, Navi Mumbai to be launched with Yash-starrer One ‘crazy’ fan, a man apparently in his late twenties, stood outside the Seawoods Grand Central in Navi (New)...

Minnal Murali, Review: Two bolts from the blue Minnal Murali’s première at the Mumbai Film Festival, on 16 December, was a grand affair. The venue was the recently constructed Jio World Drive in...

Pushpa-The Rise – Part 1, Review: Cross your legs Having steadfastly kept away from the staple diet of Telugu dubbed in Hindi dished out on a few TV channels 24 x 7, one was not aware of what one...

IFFI 51, 16-24 January, 27: “OTT is here to stay”: G.P. Vijayakumar “There was a big opposition when OTT made its initial appearance citing that it will end theatrical releases and shut movie...