Bhool Bhulaiyaa 3: Grotesque? Yes. Burlesque: Yes. Statuesque? Yes. Humouresque: No. Maze: Yes. Amazing: No Bhool Bhulaiya literally means a maze or labyrinth, in Hindustani language. This one refers to the Adventures of a Fake Ghostbuster and his Pygmy Partner, who collapses at the slightest sign of danger. They are as fake as the royal family they are summoned to, to perform the task of busting the ghost of a princess, who was imprisoned in a large room, with heavy padlocks, 200 years ago. ...

Prime Video’s first original film, Maja Ma, Trailer launch: Mad about Madhuri One afternoon in 1984, I was invited to the Natraj Hotel, Marine Drive, Bombay, to the release get-together of Rajshri Productions’ Abodh. My benefactor, writer-director Gobind Moonis, who had wanted to cast me as the blind boy in Dosti, had now discovered a girl with a very pretty face who had learnt kathak too. But the star of the day was Gyan Shivpuri, an actor who came with a reputation. When I trie...

RIFF 08, 2022, 02: N. Chandra to get Lifetime Achievement Award The 8th edition of the Rajasthan International Film Festival (RIFF) will be organised by RIFF Film Club, during 25-30th March, 2022, and it will also celebrate Rajasthan Diwas (Foundation day of Rajasthan State). Somendra Harsh, Founder and Festival Director of RIFF, stated today that this year, the LifeTime Achievement Award will be given to the renowned Writer, Producer and Director Chandrashekhar Narvekar, better known as N. C...

India’s Ministry of Tourism holds Seminar on Film Tourism India's Ministry of Tourism in association with Ministry of Information & Broadcasting organised a Symposium on Film Tourism at Taj Land’s End, Mumbai, on November 8, 2021. The symposium aimed to promote Film Tourism by exploring opportunities available in the states for conducting film shootings.  What is Film Tourism? ‘Film Tourism’ is when a viewer gets induced to visit a particular location af...

Kalank, Review: Masochistic miasma Everything in Kalank (blemish, stigma) is grand, both in content and in form. Sets and décor, riches and poverty, locales and vehicles, make-up and costumes, dances and fights, colours and luminance, all are designed to make your jaw drop in awe. All this opulence is merely the canvas on which a heart-wrenching tragedy is painted, around the time of India’s partition, with the entire ensemble cast at the receiving end of a woeful operatic wail, ...