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Martin Scorsese Masterclass in Cannes

 

 

 

Linda Woolverton

Maleficent-Mistress of Evil, Review: Feynix rises from the ashes

Maleficent-Mistress of Evil, Review: Feynix rises from the ashes When a studio like Disney decides to give it the works, it usually works. It is difficult to find fault with the execution of the plot in Maleficent: Mistress of Evil, unless, of course you begin with the title itself. As viewers will discover early in the film, she is not the mistress of evil. Then you might consider the fact that there are several killings and a full-blooded war depicted, in a film aimed at young children and ...

The Lion King, Review: The Lions Sing

For a film production company that has been in the animation business for 90 years, and earned its initial popularity by creating Mickey Mouse, making a film, replete with state-of-the-art, photorealistic computer images of a host of animals and birds, has to be basic instinct. That it tells the story of lions, hyenas, vultures, and other creatures whose names one needs to look-up in Google, or Oxford or Cambridge or Merriam Webster dictionaries, that possess human instinct rather than animal ...

The Importance of Being MALEFICENT: Angelina Jolie Schools Us

  by Quendrith Johnson, Los Angeles Correspondent   So, ignore the horns and watch for spoiler alerts here: MALEFICENT is the role of a lifetime for Angelina Jolie. Yes, a lot of the credit goes to screenwriter Linda Woolverton (Lion King, Beauty & The Beast), who gets Angelina and wrote a touching life lesson disguised as a Disney movie. "We tried to bring you what you love about this story," Jolie says in the behind the scenes featurette (see it on http://screenma...
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