Lakadbaggha, Review: Hyena in a dog’s world Considering the amount of footage devoted to dogs, Lakadbaggha (Hyena) is more a dog film than a hyena flick. The first and only hyena you see is late in the second half of the film. But, to be fair, that hyena is in sharp focus as the film moves towards its climax. Besides a thought-provoking insight into the world of dogs, the film gives us some raw, bare handed, martial arts, in the krav maga style of combat, which originated in Israel. It ...

Dhadak, Review: Kiss kiss kill kill A noun form of the verb dhadakna, which means ‘beating of the heart’, Dhadak re-introduces us to Ishan Khattar and gives us the much-awaited first look at Jahnvi Kapoor. Both have acting parentage, and that comes with a lot of weight. In the first half of the film, the two succeed in captivating the audience with their sheer freshness and electrical chemistry. Then, sadly, formulae and tropism take over, the pulsation of early dhadaks get blocke...