Goldfish, Review:  Without your memory, you are like a goldfish out of water Probably used as a metaphor for the memory lapses of its central character, who is suffering from dementia, the goldfish,...

8 am Metro, Review: One train, many tracks Firstly, it is not about a train. Secondly, the journey of the lead characters changes so many tracks that it ultimately derails, and it takes a long-drawn...

Amazon Prime Video’s Jubilee: A celebration of the golden era of Hindustani cinema When a director like Vikramaditya Motwane charts new territory in the shape of a 10-episode web series, with...

Shimla Mirchi, Review: Chilly? Don't be silly! Several highs dot the career graph of director Ramesh Sippy, right from his debut in 1971 as a 24 year-old, with the remake of A Man and a Woman...

Raaz Reboot: Exorcise in futility When the best things in a horror/supernatural film are its songs, it does not augur well. A few days before the release of Raaz Reboot (they use that in the title?...

Phantom, Review: RAW-hide Rambo Saif Ali Khan comes in for Salman, Katrina stays put, so do the London locales and the secret agent assassin theme, as director Kabir Khan tries to go one up on his...

Invitation to a first look Saturday evening, four days after my return from Singapore. A call on my mobile phone. Some young woman said she was calling from Spice Bhasha. No, not a restaurant chain...