IFFI 21024, 10: Five Indian films to compete for newly instituted DEBeaUTiful film award With an aim to promote new and young talent in the country, the 55th edition of the International Film...

Vijayanand, Review: All Vijay, No Anand You might be pardoned for mistaking the film to be a bio-pic on the genius Hindi film director, Vijay Anand (Guide, Jewel Thief, Johnny Mera Naam). But that...

Bengaluru’s Suchitra Film Society celebrates 50 years, releases book by Aruna Rajé Patil Suchitra Film Society (SFS) organised a Film Festival in collaboration with the Federation of Film Societies...

Vikrant Rona, Review: Ducking in 3D Exotic, lush green locales and serial killing do not go together, but here they do. Vikrant Rona is the name of the protagonist (or is it?), the second part of...

Sounds of The Kashmir Files: “Pray for all the oppressed people in the world” Royal Opera House was a surprising choice for the event. Once a landmark for big-budget film releases, it remained shut...

Jersey, Review: Down and out, yet 300 not out A loser making it big in sports is the stuff that many films have been made on. This one tries to be different. Imagine a cricketer who quit the game...

Minnal Murali, Review: Two bolts from the blue Minnal Murali’s première at the Mumbai Film Festival, on 16 December, was a grand affair. The venue was the recently constructed Jio World Drive in...

Pushpa-The Rise – Part 1, Review: Cross your legs Having steadfastly kept away from the staple diet of Telugu dubbed in Hindi dished out on a few TV channels 24 x 7, one was not aware of what one...

IFFI 52, 022: Pregnant, harassed-to-hell woman, or suicide bomber? Governments exist to serve the people, but often, the common citizen has to struggle, knock one door after another, in order to...

IFFI 51, 16-24 January, 22: PCs of Shreedhar B.S., Prithvi Konanur, Gunjalamma “The way we live right now suggests there are two different worlds - of “them” and “us”, where “they” are misunderstood...